John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.117, as ‘Source of the Arveron. – Sketch’.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 , p.390, as ‘Source of the Arveron’.
?Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, Revised with 8 Coloured Illustrations after Turner’s Originals and 2 Woodcuts, London 1897, p.586.
Philip Gilbert Hamerton, The Life of J. M. W. Turner, R.A., London 1879, p.185, as ‘Source of the Arveiron’.
E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, vol.I, London 1902, p.169, as ‘The Source of the Arveron’.
Charles Holme (ed.), Robert de la Sizeranne, Walter Shaw Sparrow and others, The Genius of J.M.W. Turner, R.A., London, Paris and New York 1903, reproduced pl.33: MW 10.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.267, 371, 624, 635 as ‘The Source of the Arveron’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.202, LXXV 21, as ‘Source of Arveiron’.
Henry Verne, Laurence Binyon and Louis Gillet, La Peinture anglaise: XVIIIe & XIXe siècles, exhibition catalogue, Louvre, Paris 1938, no.236, as ‘Glacier at the Foot of Mont Blanc’.
Kenneth Clark, Michel Florisoone, Geoffrey Grigson and others, The Romantic Movement: Fifth Exhibition to Celebrate the Tenth Anniversary of the Council of Europe, exhibition catalogue, Tate Gallery and Arts Council Gallery, London 1959, p.263.
[Sir] John Rothenstein and Martin Butlin, Turner, London 1964, pp.7, 16, reproduced pl.17(a).
John Gage, ‘Turner and the Picturesque – 1’, The Burlington Magazine, vol.107, January 1965, p.21.
N.[Nicholas]A. Serota, ‘J.M.W. Turner’s Alpine Tours’, unpublished M.A. Report, Courtauld Institute of Art, University of London 1970, pp.14, 19.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, pp.47 reproduced in colour, 49.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.47.
John Russell and Andrew Wilton, Turner in Switzerland, Zurich 1976, p.42 reproduced, as ‘Glacier at the Foot of Mont Blanc’, 135.
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.342.
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.62.
Lindsay Stainton in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.75, 77 reproduced in colour Fig.136.
Andrew Wilton, in John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.178 reproduced, as ‘Glacier au pied du Mont Blanc’.
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, pp.84–5 reproduced in colour.
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, pp.84–5 reproduced in colour.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, p.122 note 1.
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.98–9 reproduced in colour.
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.980–9 reproduced in colour.
David Hill, Joseph Mallord William Turner: Le Mont-Blanc et la Vallée d’Aoste, exhibition catalogue, Museo Archeologico Regionale, Aosta / Musée Archéologique Régional, Aoste 2000, pp.68, 273.
Eric Shanes, ‘Identifying Turner’s Chamonix water-colours’, The Burlington Magazine, vol.142 no.1172, November 2000, p.692.
Nicola Moorby and Ian Warrell (eds.), How to Paint like Turner, London 2010, pp.105 reproduced in colour, 106.