E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.213, 373, 611 no.61, as ‘Venice: Steps of the Church of the Salute’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1016, CCCXV 5, as ‘Steps of Salute. ?Sketch for oil picture, exhibited R.A., 1835, and now in Met. Mus., New York. 61, N.G.’.
A.J. Finberg, In Venice with Turner, London 1930, p.171, as ‘The Steps of the Salute’, 1840.
Evelyn Joll, Agnew’s 150th Anniversary: Loan Exhibition of Paintings and Watercolours by J.M.W. Turner, R.A., exhibition catalogue, Thomas Agnew & Sons, London 1967, p.32 under no.18.
John Gage, Colour in Turner: Poetry and Truth, London 1969, pp.19, 226 note 12.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.213 under no.362.
Lindsay Stainton, Turner’s Venice, London 1985, p.54 no.45, as ‘The Grand Canal, with S. Maria della Salute on the left’, ?1840, pl.45 (colour).
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.106 no. 61, as ‘The Steps of the Council [sic] of La Salute (Venice: The Grand Canal with S. Maria della Salute on the Left)’, 1840, reproduced in colour.
Andrew Wilton, Venise: Aquarelles de Turner, Paris 1995, reproduced in colour pp.6 (detail), 68– (cropped), as ‘Le Grand Canal avec Santa Maria della Salute sur la gauche’.
Ian Warrell in Warrell, David Laven, Jan Morris and Cecilia Powell, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.168, 258, 271 no.91, as ‘The Steps of Santa Maria della Salute, looking up the Grand Canal’, 1840, fig.182 (colour).
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació ”la Caixa”, Barcelona 2005, p.130 no.59, as ‘L’escalinata de Santa Maria della Salute, mirant vers la part alta del Gran Canal’, 1840, reproduced in colour.
Martin Schwander, Bożena Anna Kowalczyk, Ian Warrell and others, Venice: From Canaletto and Turner to Monet, exhibition catalogue, Fondation Beyeler, Riehen 2008, reproduced in colour p.79, p.220, as ‘The Steps of Santa Maria della Salute, looking up the Grand Canal’, 1840.