A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1021, CCCXVI 40, as ‘Entrance to Venice from Chioggia. 5th Loan Collection, No.1’.
A.J. Finberg, In Venice with Turner, London 1930, p.174, as ‘S. Giorgio from the Giudecca’, 1835 or 1840.
Henri Verne, Laurence Binyon and Louis Gillet, La Peinture anglaise: XVIIIe & XIXe siècles, exhibition catalogue, Louvre, Paris 1938, p.138 no.248, as ‘Venise, l’entrée de Chioggia’, c.1839.
Lindsay Stainton, Turner’s Venice, London 1985, p. 63 no.84, as ‘S. Giorgio Maggiore and the Zitelle from the Giudecca’, ?1840, pl.84 (colour).
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.183, 259, fig.200 (colour), as ‘San Giorgio Maggiore and the Zitelle from the Giudecca Canal’, 1840.
Sarah Taft in Katharine Lochnan, Luce Abélès, John House and others, TurnerWhistlerMonet, exhibition catalogue, Art Gallery of Ontario, Toronto 2004, p.222 no.96, as ‘San Giorgio Maggiore and the Zitelle from the Giudecca Canal’, 1840, reproduced in colour p.223.