Joseph Mallord William Turner Three Sketches of the So-Called Tomb of the Horatii and Curatii, near Albano 1819
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Joseph Mallord William Turner,
Three Sketches of the So-Called Tomb of the Horatii and Curatii, near Albano
1819
Joseph Mallord William Turner 1775–1851
Folio 63 Verso:
Three Sketches of the So-Called Tomb of the Horatii and Curatii, near Albano 1819
D16030
Turner Bequest CLXXXVI 61 a
Turner Bequest CLXXXVI 61 a
Pencil on white wove paper, 113 x 189 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.553, as ‘Road, with ruins; three sketches’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.426, as ‘Three sketches of the Tomb of the Horatii and Curiatii, near Albano’.
As Cecilia Powell first identified, the subject of these three sketches is the so-called Tomb of the Horatii and Curiatii, an ancient monument which stands on the edge of the road between Albano and Ariccia. The tomb, originally comprised of five conical towers on a square peperino base, was popularly attributed to the mythical brothers of the Horatii and Curiatti who fought each other to avoid war between Rome and Alba Longa, although other scholars have ascribed it to Pompey the Great, to Aruns, son of Porsena, or to the Arruntii family of Albano.1 Turner has studied the ruin from a variety of angles including the adjacent church of Santa Maria della Stella. A further related sketch can be found in the Albano, Nemi, Rome sketchbook (see Tate D15454; Turner Bequest CLXXXII 82).
The unusual architectural design of the tomb made it an attractive motif for artists and Turner may have been familiar with images of it by James Hakewill (1778–1843) and Giovanni Battista Piranesi (1720–1778).2 It was also the subject of a couple of copies, probably after John Robert Cozens (1752–1797), made by Turner and Thomas Girtin (1775–1802) for Dr Monro’s Album of Italian Views, 1794–6 (see Tate D36420 and D36440; Turner Bequest CCCLXXIII 7 and 27).
Nicola Moorby
July 2010
Tony Cubberley and Luke Herrmann, Twilight of the Grand Tour: A Catalogue of the drawings by James Hakewill in the British School at Rome Library, Rome 1992, p.240.
See James Hakewill, Tomb of Curiatii at Albano 1817 (British School at Rome Library), see Cubberley and Herrmann 1992, no.5.15, p.240 reproduced; Giovanni Battista Piranesi, Tomb of the three Curiatii brothers in Albano (Sepolcro delle tre fratelli Curiatii in Albano), 1765, etching from Le Antichità Romane.
How to cite
Nicola Moorby, ‘Three Sketches of the So-Called Tomb of the Horatii and Curatii, near Albano 1819 by Joseph Mallord William Turner’, catalogue entry, July 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www