Joseph Mallord William Turner Three Views between Recanati and Macerata including the Roman Remains at Helvia Recina 1819
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Joseph Mallord William Turner,
Three Views between Recanati and Macerata including the Roman Remains at Helvia Recina
1819
Joseph Mallord William Turner 1775–1851
Folio 19 Recto:
Three Views between Recanati and Macerata including the Roman Remains at Helvia Recina 1819
D14689
Turner Bequest CLXXVII 19
Turner Bequest CLXXVII 19
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘Resinia’ and ‘Potensia’ underneath sketch top left
Inscribed by John Ruskin in red ink ‘19’ bottom right
Stamped in black ‘CLXXVII 19’ bottom right
Inscribed by the artist in pencil ‘Resinia’ and ‘Potensia’ underneath sketch top left
Inscribed by John Ruskin in red ink ‘19’ bottom right
Stamped in black ‘CLXXVII 19’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.521, as ‘Three sketches of “Recina”, with the river “Potenza” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.101 note 137.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.34 and 202 note 65.
2008
Nicola Moorby, ‘Un tesoro italiano: i taccuini di Turner’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.98, 105 note 8.
2009
Nicola Moorby, ‘An Italian Treasury: Turner’s sketchbooks’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.111, 154 note 9.
Turner’s route after Ancona and Loreto turned south-west towards Rome. The road between Recanati and the town of Macerata wound directly past the remains of the ancient Roman settlement of Helvia Recina, near the banks of the River Potenza. Destroyed by the Visigoths in the fifth or sixth centuries the area today is comprised of a ruined water tank, some tombs, a stretch of paved road and the remains of a curved amphitheatre. Turner’s sketch in the top left-hand corner of the page depicts the crumbling arches of the theatre which he has labelled ‘Resinia’. The outline of the hilltop town of Macerata appears in the far distance. Meanwhile, on the right can be seen the same medieval tower which appears on folios 9 verso (D14670) and folio 18 (D14687), probably the Torre del Mulino in present-day Villa Potenza (labelled ‘Potensia’ to the right). The tower also forms the subject of the sketch in the top right-hand corner. Further sketches of Helvia Recina can be found on folio 18 (D14687).
The swiftly drawn landscape at the bottom of the page is not conclusively identified but appears to show the valley of the River Potenza from the ascent of the road towards Macerata.
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Three Views between Recanati and Macerata including the Roman Remains at Helvia Recina 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www