Philip Gilbert Hamerton, The Life of J. M. W. Turner, R.A., London 1879, p.187.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.340, pp.379, 622, 625, as ‘Tivoli: General View from the Valley’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.556, as ‘Tivoli: general view from the valley. Water colour. Exhibited Drawings, No.340, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.86.
Michael Kitson, J.M.W. Turner, London 1964, reproduced p.51, as ‘View of Tivoli’.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, no.227, pp.88 under no.218, 91, as ‘General View of Tivoli’.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, p.52 under no.59.
John Sillevis, Nini Jonker and Hripsimé Visser, Turner 1775–1851, exhibition catalogue, Haags Gemeentemuseum, The Hague 1978, no.25, p.61, reproduced, as ‘Gezicht op Tivoli’.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.175, 490 note 21, reproduced fig.103, as ‘Tivoli’.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.72, 78, reproduced p. fig.76, as ‘Tivoli’.
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, p.41 under no.44.
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, no.39, p.89, reproduced in colour, as ‘Tivoli’.
David Blayney Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, no.47, p.200, reproduced in colour, as ‘Tivoli’.
Anna Ottani Cavina, Un Paese Incantato: Italia Dipinta da Thomas Jones a Corot, exhibition catalogue, Galeries nationales du Grand Palais, Parigi and Palazzo Te, Mantova, Italy 2001, p.280, reproduced in colour fig.169.
Andrew Wilton, Inge Bodesohn-Vogel and Helena Robinson, William Turner: Licht und Farbe, exhibition catalogue, Museum Folkwang, Essen 2001, pp.317 no.87, 318 no.91, reproduced in colour.
Nicola Moorby, ‘Un tesoro italiano: i taccuini di Turner’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, p.103, reproduced in colour fig.72, p.104, as ‘Tivoli’.
Nicola Moorby, ‘An Italian Treasury: Turner’s sketchbooks’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, p.117, reproduced in colour, p., pl.133, as ‘Tivoli’.
Christopher Baker and James Hamilton, Turner és Itália, exhibition catalogue, Szépmuvészeti Múzeum, Budapest 2009, p.54, reproduced in colour, p.48, fig.48.