J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8

Joseph Mallord William Turner Tours, Loire Valley 1826

Joseph Mallord William Turner 1775–1851
Folio 7 Verso:
Tours, Loire Valley 1826
D23259
Turner Bequest CCXLIX 7a
Pencil on white laid paper, 103 x 153 mm
Inscribed by John Ruskin in blue ink ‘1399’ bottom left
 
Accepted by the nation as part of the Turner Bequest 1856
With the sketchbook turned horizontally, Turner filled the centre this page with a view of Tours from a high vantage. The prominent buildings have been identified, from left to right, as the Church of Saint-Julien, the Hôtel de Ville, the Tour Charlemagne, and the Tour de l’Horloge.1 This is one of a substantial number of pages featuring sketches of the city and its environs in this volume, a list of which is provided in the sketchbook introduction. Turner subsequently used these drawings as the basis for multiple colour studies and finished watercolours on blue paper with a view to engraved reproduction. These culminated in four printed illustrations for Turner’s Annual Tour: Wanderings by the Loire and Seine (1833–5; later reissued as Rivers of France);2 see Tate impressions T04685–T04688.

John Chu
May 2015

1
Ian Warrell, Turner on the Loire, exhibition catalogue, Tate Gallery, London 1997, p.236.
2
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, pp.171–83.

How to cite

John Chu, ‘Tours, Loire Valley 1826 by Joseph Mallord William Turner’, catalogue entry, May 2015, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, March 2017, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-tours-loire-valley-r1185096, accessed 24 November 2020.