E.T. Cook ed., Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged: Vol.I: Turner at the National Gallery and in Mr. Ruskin’s Collection, London 1902, p.112 no.66, pl.IV, as ‘Venice’.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.214, 373, 611 no.66, as ‘Venice: Suburb’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1017, CCCXV 10, as ‘Venice suburb; moonlight. 66, N.G.’.
J[ohn] E[rnest] Phythian, Turner, London , p.105.
A.J. Finberg, In Venice with Turner, London 1930, p.171, as ‘Suburb; Moonrise. (Possibly the church and Tower of S. Zaccaria, with S. Giorgio and the Zitelle in the distance on the left.)’, 1840.
Water-Colours by British Landscape Painters (c. 1820 to c. 1870) on Loan from Public and Private Collections, exhibition catalogue, Norwich Castle Museum 1956, p.30 no.67, as ‘Venice Suburb: Moonlight’.
Basil Gray, Edward Croft-Murray and Martin Butlin, J.M.W. Turner, exhibition catalogue, Bridgestone Gallery, Tokyo 1963, p. no. 26, as ‘Venice suburb, moonlight’, reproduced.
Basil Gray, Edward Croft-Murray and Martin Butlin, Turner 1775–1851: An Exhibition of Watercolours from the British Museum London, Presented in Association with the British Council, exhibition catalogue, City Hall Art Gallery, Hong Kong 1964, p.16 no.26, as ‘Venice Suburb: moonlight’, ?1835.
John Eveleigh, 10th Anniversary Exhibition 1961–1971: Turner: Major Loan Collection: Theme – Water: Lakes, Streams, Rivers & Seas: Late Watercolours by Courtesy of the Trustees of the British Museum: Also Other Artists Sharing a Common Theme, exhibition catalogue, Arts Centre, Folkestone 1971, p. no.5, as ‘Venice: Moonrise’, reproduced front cover.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, pp.138–9 no.231, as ‘Venice: Moonrise’, 1840, reproduced in colour p.140.
Lindsay Stainton, Turner’s Venice, London 1985, p.55 no.48, as ‘Moonrise, the Giudecca and the Zitelle in the Distance’ ?1840, pl.48 (colour).
‘Turner’, The Great Artists: Their Lives, Works and Inspiration, vol.1, part 4, 1985, reproduced in colour p.105, as ‘Venice: Moonrise’, 1840.
Andrew Wilton, Turner in his Time, London 1987, p., as ‘Venice: Moonrise, 1840, pl.238 (colour).
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, reproduced in colour p.40, p.83 no.70, as ‘Venice: Moonrise, the Giudecca and the Zitelle in the Distance’, c.1840, reproduced.
Susan Phelps Gordon, Anthony Lacy Gully, Robert Hewison and others, John Ruskin and the.
Victorian Eye, exhibition catalogue, Phoenix Art Museum 1993, fig.31, as ‘Venice: Moonrise’, ?1840.
Andrew Wilton, Venise: Aquarelles de Turner, Paris 1995, reproduced in colour p.57, as ‘Crépuscule sur Venise, à l’arrière-plan la Giudecca et le Zitelle’.
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, pp.98 under no.53, 110 under no.65, 111 no.66, as ‘Moonrise (Venice: Moonrise)’, 1840, reproduced in colour.
Michael Lloyd, Andrew Wilton, Evelyn Joll and others, Turner, exhibition catalogue, National Gallery of Australia, Canberra 1996, reproduced in colour p.148, p.234 no.79, as ‘Venice: Moonrise, the Giudecca and Zitelle in the Distance’, c.1840.
Ian Warrell, David Laven, Jan Morris and Cecilia Powell, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.188, 192, 258, 264 note 29, 272 no.96, as ‘Venice by Moonlight’, 1840, fig.207 (colour).
Sarah Taft in Katharine Lochnan, Luce Abélès, John House and others, TurnerWhistlerMonet, exhibition catalogue, Art Gallery of Ontario, Toronto 2004, p.94 no.17, as ‘Venice by Moonlight’, 1840, reproduced in colour p.95, and fig.13 (colour).
Ian Warrell ed., Turner from the Tate: The Making of a Master, exhibition catalogue, Art Gallery of South Australia, Adelaide 2013, p.213 no.114, as ‘Venice, Moonrise’, 1840, reproduced in colour.
[Ian Warrell ed.], Turner from the Tate: The Making of a Master, exhibition catalogue, Tokyo Metropolitan Art Museum 2013, reproduced in colour pp.172–3 (detail), p.182 no.97, as ‘Venice, Moonrise’, 1840, reproduced in colour.