E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.210, 373, 611 no.53, as ‘Venice: Riva degli Schiavoni, from Channel to the Lido’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1019, CCCXVI 18, as ‘Riva degli Schiavone, from channel to the Lido. Exhibited Drawings, No.53, N.G.’.
A.J. Finberg, In Venice with Turner, London 1930, p.174, as ‘The Dogana and Ducal Palace, from the Giudecca’, 1835 or 1840.
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, p.23 no.78, as ‘Riva degli Schiavoni, Venise’, 1840, reproduced p..
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, reproduced in colour p.115, p.142 no.237, as ‘Venice: The Riva degli Schiavoni from the channel to the Lido’, 1840.
Lindsay Stainton, Turner’s Venice, London 1985, pp.34, 59 no.64, as ‘The Riva degli Schiavoni from the channel to the Lido’, ?1840, pl.64 (colour).
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, reproduced in colour p.40, p.83 no.69, as ‘Venice: The Riva degli Schiavoni from the Channel to the Lido’, c.1840, reproduced.
Andrew Wilton and Anne Lyles, The Great Age of British Watercolours 1750–1880, exhibition catalogue, Royal Academy of Arts, London 1993, p.310 no.300, as ‘Venice: The Riva degli Schiavoni from the Channel to the Lido’, c.1840, pl.265 (colour).
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, pp.97–8 no.53, as ‘Riva dei Schiavoni, from San Giorgio Maggiore (Venice: The Riva degli Schiavoni from the East)’, 1840, reproduced in colour.
Andrew Wilton, Venise: Aquarelles de Turner, Paris 1995, reproduced in colour p.23, as ‘Vue du chenal menant au Lido: la Riva degli Schiavoni’.
David Blayney Brown in Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, p.290 no.89, as ‘Venice: The Riva degli Schiavoni from the Channel to the Lido’, c.1840, reproduced in colour.
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata,J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, p.141 no.80, as ‘Venice: the Riva degli Schiavoni from the Channel to the Lido’, c.1840, reproduced in colour.
Gerald Finley, Angel in the Sun: Turner’s Vision of History, Montreal and Kingston [Canada] 1999, pp.33–4, fig,16, as ‘Venice: The Riva degli Schiavoni from the Channel to the Lido’, 1840.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.47, 227, 259, 273 no.168, as ‘Looking back on Venice from the Canale di San Marco to the East’, 1840, fig.247 (colour).
Damien Sausset and Térésa Faucon, L’ABCdaire de Turner, ABCdaires, Paris 2004, reproduced in colour p. (detail), as ‘Venise: la Riva degli Schiavoni’, 1840.
Michael Broughton, William Clarke, Joanna Selbourne and others, The Spooner Collection of British Watercolours at the Courtauld Institute Gallery, exhibition catalogue, Huntington Library, Art Collections and Botanical Gardens, San Marino 2005, p.240 under no.91.
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació ”la Caixa”, Barcelona 2005, p.169 no.100, as ‘Diexant entere Venècia des del canal de San Marco vers l’est’, 1840, reproduced in colour, and pp.[182–3] (cropped).
Martin Schwander, Bożena Anna Kowalczyk, Ian Warrell and others, Venice: From Canaletto and Turner to Monet, exhibition catalogue, Fondation Beyeler, Riehen 2008, reproduced in colour p.83, p.220, as ‘Looking back on Venice from the Canale di San Marco to the East’, 1840.