A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1021, CCCXVI 42, as ‘Venice. On back, in pencil – “From my bed-room. T.” 3rd Loan Collection, No.25’.
A.J. Finberg, In Venice with Turner, London 1930, p.174, as ‘Ducal Palace and Zecca from the Hotel Europa. Inscribed on reverse: “From my bed-room. T.”’.
Jonathan Mayne, British Watercolors 1750–1850: A Loan Exhibition from the Victoria and Albert Museum, exhibition catalogue, Museum of Fine Arts, Houston 1966, p.21 no.93, as Venice: “From my Bedroom”’, reproduced p..
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.137 under no.225.
Lindsay Stainton, Turner’s Venice, London 1985, p.61 under no.74.
Ian Warrell, ‘R.N. Wornum and the First Three Loan Collections: A History of the Early Display of the Turner Bequest outside London’, Turner Studies, vol.11, no.1, Summer 1991, p.47 no.96 (later frame no.25), as ‘Venice (from Turner’s Bedroom Window) (Colour)’.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.24, 138, 140, 259, 273 no.152, as ‘View over the rooftops towards the Giardini Reale and the Campanile of San Marco’, 1840, fig.146 (colour).
Martin Schwander, Bożena Anna Kowalczyk, Ian Warrell and others, Venice: From Canaletto and Turner to Monet, exhibition catalogue, Fondation Beyeler, Riehen 2008, p.62, 63 fig.5 (colour), p.219, as View over the Rooftops towards the Giardini Reali and the Campanile of San Marco’, 1840.