A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.535, CLXXXI 7, as ‘Venice; Campanile and Ducal Palace, from the Canal’.
A.J. Finberg, In Venice with Turner, London 1930, pp.23, 79, 168, as ‘The Ducal palace, with Campanile, from the Basin of S. Mark’.
Kenneth Clark, Michel Florisoone, Geoffrey Grigson and others, The Romantic Movement: Fifth Exhibition to Celebrate the Tenth Anniversary of the Council of Europe, exhibition catalogue, Tate Gallery and Arts Council Gallery, London 1959, p.264 no.443, as ‘Venice: The Doge’s Palace and the Campanile’.
John Gage, Colour in Turner: Poetry and Truth, London 1969, p.32.
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, p.7 [typical comments], p. no.11, as ‘Le Campanile et le Palais Ducal, Venise’, reproduced p..
John Gage in Kenneth Clark, Michael Kitson, Gage and others, La Peinture romantique anglaise et les Préraphaélites, exhibition catalogue, Petit Palais, Paris 1972, p. no.291, as ‘Campanile et palais ducal à Venise’, reproduced.
Andrew Wilton in Martin Butlin, Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.87 no.214, as ‘Venice: the Campanile of St Mark’s and the Doge’s Palace’.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.182, reproduced in colour p.185.
Werner Hofmann, Andrew Wilton, Siegmar Hosten and others, William Turner und die Landschaft seiner Zeit, exhibition catalogue, Hamburger Kunsthalle 1976, p.119 no.43, as ‘Venedig: Der Campanile von San Marco und der Dogenpalast’ reproduced.
David Loshak and Andrew Wilton, J.M.W. Turner 1775–1851: Akvareller og Tegninger fra British Museum, exhibition catalogue, Statens Museum for Kunst, Copenhagen 1976, pp.41–2 no.21, as ‘Venice: The Campanile of St. Mark’s and the Doge’s Palace’.
Jean Selz, Turner, Naefels 1977, reproduced in colour p.27, as ‘Venice: the Campanile of St. Mark’s and the Doge’s Palace’.
Gerald Wilkinson, Turner Sketches 1789–1820, London 1977, reproduced in colour p.153, as ‘Campanile and Doges’ [sic] Palace, Venice’.
Timothy Clifford, ¿¿¿¿¿¿, exhibition catalogue, Shipka Gallery, Sofia, Bulgaria 1978, p.18 no.19.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.142.
Lindsay Stainton in Dimitrios Papastamos, John Gage and Stainton, J.M.W. Turner (1775–1851) / ¿¿.¿.G. ¿e¿¿e¿ (1775–1851), exhibition catalogue, National Pinakothiki, Athens 1981, reproduced in colour p.80, p.82 no.16 as ‘Venice: the campanile of St Mark’s and the Doge’s Palace’.
Andrew Wilton, Turner Abroad: France; Italy; Germany; Switzerland, London 1982, p.41 no.29, as ‘Venice: the Campanile of St Mark’s and the Doge’s Palace’, pl.29 (colour).
Lindsay Stainton and Andrew Wilton, J.M.W. Turner: Dibujos y acuarelas del Museo Británico, exhibition catalogue, Museo del Prado, Madrid 1983, p.47 no.26, as ‘Venecia: el Campanario de San Marcos y el Palacio Ducal’, reproduced in colour p..
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.43, 448 note 76.
Lindsay Stainton, Turner’s Venice, London 1985, pp.14, 16, 43 no.5, as ‘The Campanile of St Mark’s and the Ducal Palace’, pl.5 (colour).
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.16, 201 note 44.
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, p.72 no.29, as ‘Venice: the Campanile and Doge’s Palace’, reproduced in colour p..
[Andrew Wilton], The Turner Collection in the Clore Gallery: An Illustrated Guide: Published to Celebrate the Opening of the Gallery by Her Majesty The Queen, 1 April 1987, London 1987, p.112, as ‘Venice: the Campanile and Doge’s Palace’, reproduced in colour p.113.
Andrew Wilton, Turner Watercolours in the Clore Gallery, revised ed., London 1988, p.72 no.29, as ‘Venice: the Campanile and Doge’s Palace’, reproduced in colour p..
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, p.36 under no.33, p.37 no.35, as ‘Venice: Campanile and the Ducal Palace’, reproduced.
David Blayney Brown, Turner and Byron, exhibition catalogue, Tate Gallery, London 1992, p.126 no.97, as ‘Venice: The Campanile of St Mark’s and the Doge’s Palace’, reproduced.
Andrew Wilton, Venise: Aquarelles de Turner, Paris 1995, reproduced in colour p.41 as ‘Le campanile de Saint-Marc et le Palais des Doges’.
Richard P. Townsend in Townsend, Andrew Wilton, David Blayney Brown and others, J.M.W. Turner: That Greatest of Landscape Painters: Watercolors from London Museums, exhibition catalogue, Philbrook Museum of Art, Tulsa 1998, p.110 no.19, as ‘Venice: The Campanile of St. Mark’s and the Ducal Palace, from the Canal’, reproduced in colour p.111.
Gerald Finley, Angel in the Sun: Turner’s Vision of History, Montreal and Kingston [Canada] 1999, p.33, fig.14 and pl.1 (colour), as ‘Venice: The Campanile of St Mark’s and the Doge’s Palace’.
David Blayney Brown, Turner in the Tate Collection, London 2002, pp.23, 110, pl.66 (colour), as ‘Venice: Campanile and Ducal Palace’.
Jan Morris and Ian Warrell in Warrell, David Laven, Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.12, 16, 88, 271 no.87, as ‘The Campanile of San Marco and the Doge’s Palace’, fig.78 (colour).
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació la Caixa, Barcelona 2005, p.85 no.17, as ‘Venècia: el Campanile de San Marco i el Palau Ducal’, reproduced in colour.
Katharine Baetjer, ‘Canaletti Painting: On Turner, Canaletto, and Venice’, Metropolitan Museum Journal, vol.42, 2007, p.172 note 29.
Ian Warrell, ‘The Approach of Night: Turner and La Serenissima’ in Martin Schwander, Bozena Anna Kowalczyk, Warrell and others, Venice: From Canaletto and Turner to Monet, exhibition catalogue, Fondation Beyeler, Riehen 2008, pp.57, 58, 67 notes 1 and 11.
Inés Richter-Musso, Kathrin Baumstark and others, Venedig: Stadt der Künstler, exhibition catalogue, Bucerius Kunst Forum, Hamburg 2016, p.148 Abb.2 (colour), as ‘Der Campanile von San Marco und der Dogenpalast’.