E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.593, pp.298, frame no.104, drawing no.224, 636, as ‘Rome from the Barberini Villa’ and ‘Rome from the Gardens of the Villa Lanti’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.563, as ‘Rome, from the Gardens of the Villa Lanti. Pen and ink, with part finished in water colour. 593, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.88.
Thomas Ashby, Turner’s Visions of Rome, London and New York 1925, p.24, reproduced in colour between pp.10–11 pl.5, as ‘Rome from the Gardens of the Villa Lante’.
Douglas Cooper, William Turner 1775–1851, Paris 1949, reproduced p.40, as ‘Rome, Vue des Jardins de la Villa Lante’.
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, p.18, reproduced in colour, p.19, top, as ‘Rome from the gardens of the Villa Lanti’.
M. Yamazaki and S. Kijima, Turner, Japan 1977, p.138, reproduced.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.122, 223, 237, reproduced pl.162, as ‘Rome from the Villa Barberini’.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.49, 106 note 9, 115–6, reproduced p.117 pl.126, as ‘Rome from the Villa Barberini’.