J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8

Joseph Mallord William Turner View of Tivoli, with the So-Called Temple of Vesta 1819

Joseph Mallord William Turner 1775–1851
Folio 78 Recto:
View of Tivoli, with the So-Called Temple of Vesta 1819
D15550
Turner Bequest CLXXXIII 78
Pencil and grey watercolour wash on white wove paper, 200 x 253 mm
Inscribed by ?John Ruskin in faded red ink ‘78’ bottom left, descending left-hand edge, and by an unknown hand in pencil ‘78’ bottom left, descending left-hand edge
Stamped in black ‘CLXXXIII 78’ bottom left, descending left-hand edge
 
Accepted by the nation as part of the Turner Bequest 1856
This page contains a distant view of Tivoli seen from the road skirting the end of the valley to the north-east. Turner’s viewpoint may be the Convent of Sant’Antonio, also known as the Villa d’Orazio (Villa of Horace).1 Rising on the left-hand side of the prospect is Monte Catillo, and visible in the centre is the so-called Temple of Vesta, a circular ruin dating from the first century BC, which stands on the edge of the gorge at the northern edge of the town, near the former falling point of the ‘Great Cascade’ of the River Aniene. The adjacent campanile to the right belongs to the Church of San Giorgio, which until the end of the nineteenth century incorporated the remains of another ancient edifice, the so-called Temple of the Sibyl. Similar vistas from the end of the valley can be seen on folios 2, 18, 22, 33, 34, 35, 80 (D15468, D15488, D15488, D15500, D15501, D15502, D15552), as well as the Tivoli and Rome sketchbook (Tate D15000–D15005 and D15092; Turner Bequest 40–42 verso and 86a), and in a watercolour study in the Naples: Rome C. Studies sketchbook (Tate D16116; Turner Bequest CLXXXVII 28). Today, the same view of Tivoli is dominated by the great waterfall of the Villa Gregoriana, created by the diversion of the river away from the residential district after a devastating flood in 1826.
Like many drawings within this sketchbook, the composition has been executed over a washed grey background and Turner has created highlights by rubbing or lifting out the wash to reveal the white paper beneath.
1
See the photograph of Temple of Vesta with Convent of Sant’Antonio in the background, in Thomas Ashby, ‘Roman Remains in the Monastery of S. Antonio in Tivoli’, in Journal of Roman Studies, vol.4, 1914, pl.XIX.
Verso:
Blank

Nicola Moorby
February 2010

How to cite

Nicola Moorby, ‘View of Tivoli, with the So-Called Temple of Vesta 1819 by Joseph Mallord William Turner’, catalogue entry, February 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-view-of-tivoli-with-the-so-called-temple-of-vesta-r1137826, accessed 17 October 2021.