J.M.W. Turner
Joseph Mallord William Turner Petworth House: Musicians in the Red Room 1827
Joseph Mallord William Turner,
Petworth House: Musicians in the Red Room
1827
Petworth House: Musicians in the Red Room 1827
D22696
Turner Bequest CCXLIV 34
Turner Bequest CCXLIV 34
Gouache and watercolour on blue wove paper, 141 x 189 mm
Stamped in black ‘CCXLIV 34’ bottom right
Blind stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCXLIV 34’ bottom right
Blind stamped with Turner Bequest monogram bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1913
Art Gallery, Merthyr Tydfil, December 1913–May 1914 (no catalogue but numbered 116).
1914
[Petworth watercolours], Fitzwilliam Museum, Cambridge, April–July 1914 (no catalogue found).
1914
Welsh Drawings by J.M.W. Turner, R.A., National Museum of Wales, Cardiff, October 1914–January 1915 (116).
1919
[Works from the Turner Bequest], Swansea 1919 (no catalogue found) (116).
1959
[Display of watercolours from the Turner Bequest], Tate Gallery, London, June/July 1959–January 1965 (no catalogue).
1975
Turner in the British Museum: Drawings and Watercolours, Department of Prints and Drawings, British Museum, London, May 1975–February 1976 (124).
1983
Turner and the Human Figure: Watercolours from the Turner Bequest, Loaned by the British Museum, Tate Gallery, London, December 1983–July 1984 (no catalogue), as ‘The musicians’.
2002
Turner at Petworth, Petworth House, Petworth, July–September 2002 (53).
2015
Mr. Turner, Petworth House, Petworth, January–March 2015 (28, as ‘Musicians in the Little Dining Room’, 1827, reproduced in colour).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.745, CCXLIV 34, as ‘The musicians’.
1914
Isaac J. Williams, Catalogue of an Exhibition of Welsh Drawings by J.M.W. Turner, R.A., exhibition catalogue, National Museum of Wales, Cardiff 1914, no.116 as ‘The Musicians’.
1957
Ann Lapraik Livermore, ‘Turner and Music’, Music and Letters, vol.38, no.2, April 1957, p.174.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, pp.25, 85 no.124 reproduced as ‘Petworth: Interior with a musical ensemble’.
1989
Martin Butlin, Mollie Luther and Ian Warrell, Turner at Petworth: Painter and Patron, London 1989, pp.61, 70 note 1, 143, 188 pl.38.
1990
Martin Butlin, Mollie Luther and Ian Warrell, Turner: Les Années Egremont: Chefs d’oeuvre inédits, trans. Tamara Préaud, Paris 1990, pl.38.
1997
Christopher Rowell, Petworth House, West Sussex, London 1997, p.24.
2002
Christopher Rowell, Ian Warrell and David Blayney Brown, Turner at Petworth, exhibition catalogue, Petworth House, Petworth 2002, pp. 24, 118, 119 fig.116, 124, 196 under no.53.
2013
Andrew Loukes in Jacqueline Riding and Loukes, Mr. Turner: an exhibition, exhibition catalogue, Petworth House, Petworth 2013, reproduced in colour p.20, pp.21, 32 no.28, as ‘CCLXIV’ 34, ‘Musicians in the Little Dining Room’, 1827).
This is one of a large group of separate studies, most of which were made in gouache and watercolour on blue paper, associated with a visit to Petworth House in West Sussex, the home of the third Earl of Egremont. For more information, see the Introduction to this section.
The setting for this scene is Petworth’s Red Room; for a detailed study of the interior and further information about the room, see the entry for Tate D22683 (Turner Bequest CCXLIV 21). In the background the red of the walls is visible, as are a number of tall, framed paintings: these must represent some of the Van Dyck portraits discussed in the entry for D22683. As the Turner scholar Ian Warrell has noted, the musicians seen in the foreground appear to be entertaining the dinner party that can be glimpsed through the doorway in the next room, the Carved Room.1 Turner’s colour palette, darker and more limited than in many of the Petworth gouache studies, reflects the evening setting, some of the musicians shown as silhouettes.
Technical notes:
The paper is torn in the bottom right corner.
Verso:
Blank, save for inscriptions: inscribed in pencil ‘13 | a’ near centre; stamped in black with Turner Bequest monogram and ‘CCXLIV 34’ bottom left.
Elizabeth Jacklin
February 2019
How to cite
Elizabeth Jacklin, ‘Petworth House: Musicians in the Red Room 1827’, catalogue entry, February 2019, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2024, https://www