J.M.W. Turner
Joseph Mallord William Turner Petworth House: The Empty Bed 1827
Joseph Mallord William Turner,
Petworth House: The Empty Bed
1827
Petworth House: The Empty Bed 1827
D22777
Turner Bequest CCXLIV 115
Turner Bequest CCXLIV 115
Gouache and watercolour on blue wove paper, 138 x 191 mm
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1962
English Drawings and Water Colors from British Collections, National Gallery of Art, Washington, February–April 1962, Metropolitan Museum of Art, New York, April–June 1962 (87).
1934
Four Screens, British Museum, London, July 1934–July 1935 (no catalogue, as ‘A Bedroom Scene’).
1938
[Display of Watercolours], National Gallery, London, December 1938–September 1939 (no catalogue), as one of ‘Three Interiors at Petworth’).
1964
Loan of Turner Watercolours from the British Museum, Graves Art Gallery, Sheffield, December 1964–January 1965, University of Nottingham Art Gallery January–March(no catalogue, as ‘A bedroom scene’).
1966
Turner: Imagination and Reality, Museum of Modern Art, New York, March–May [June] 1966 (62).
1978
Watercolours from the Turner Bequest, Lent by the British Museum, Tate Gallery, London, January–June 1978 (no catalogue, as ‘Petworth’).
2001
William Turner: Licht und Farbe, Museum Folkwang, Essen, September 2001–January 2002, Kunsthaus Zürich, February–May 2002 (140).
2005
Turner at Petworth, Tate Gallery, London, October 2005–April 2006 (no catalogue).
2002
Turner at Petworth, Petworth House, Petworth, July–September 2002 (75).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.746, CCXLIV 115, as ‘A bedroom scene’.
1949
Douglas Cooper, William Turner 1775–1851, Paris 1949, pl.50.
1962
Jonathan Mayne and John Woodward, An Exhibition of English Drawings and Water Colors from British Collections, Sponsored by the English-Speaking Unions of the United States and the British Commonwealth, exhibition catalogue, National Gallery of Art, Washington 1962, no.87 as ‘A Bedroom Scene’.
1964
[Sir] John Rothenstein and Martin Butlin, Turner, London 1964, p.44 pl.XIV.
1966
Lawrence Gowing, Turner: Imagination and Reality, exhibition catalogue, Museum of Modern Art, New York 1966, no.62, p.26 reproduced as ‘Bedroom at Petworth’.
1975
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, p.60 reproduced.
1989
Martin Butlin, Mollie Luther and Ian Warrell, Turner at Petworth: Painter and Patron, London 1989, pp.146, 147, 215 pl.65.
1977
Nobuyuki Senzoku, Turner, L’Art du Monde, Japan [and Paris?] 1977, p.86 reproduced.
1990
Martin Butlin, Mollie Luther and Ian Warrell, Turner: Les Années Egremont: Chefs d’oeuvre inédits, trans. Tamara Préaud, Paris 1990, pl.65.
2001
Andrew Wilton, Inge Bodesohn-Vogel and Helena Robinson, William Turner: Licht und Farbe, exhibition catalogue, Museum Folkwang, Essen 2001, no.140 reproduced, pp.53, 312 under no.78, 345 under no.147.
2002
Christopher Rowell, Ian Warrell and David Blayney Brown, Turner at Petworth, exhibition catalogue, Petworth House, Petworth 2002, pp.169 fig.161, 195 no.75.
2003
Ian Warrell, ‘Exploring the “Dark Side”: Ruskin and the Problem of Turner’s Erotica’, with ‘A Checklist of Erotic Sketches in the Turner Bequest’, British Art Journal, vol.4, no.1, Spring 2003, p.22.
This is one of a large group of separate studies, most of which were made in gouache and watercolour on blue paper, associated with a visit to Petworth House in West Sussex, the home of the third Earl of Egremont. For more information, see the Introduction to this section.
Turner made numerous studies of the bedrooms at Petworth during his 1827 visit; for more information and a list see the entry for Tate D22677 (Turner Bequest CCXLIV 15). Some of the bedroom studies include nude or nearly nude figures (for example, Tate D22731; Turner Bequest CCXLIV 69) and this depiction of an unkempt bed surrounded by crimson curtains, a mirror partially seen reflecting the bed on the left, also seems suggestive. The shape just to the left of the bed, behind what appears to be a chair, has the look of a person hiding in the corner, although this is indistinct; if it is a figure it seems to hint at the same voyeurism detectable in relation to the unknowing female figure viewed from behind in D22741 (Turner Bequest CCXLIV 79). The extent to which these erotically charged scenes were based on the reality of Turner’s experience at Petworth or his imagination remains mysterious.
Verso:
The verso of this sheet was not available for inspection at the time of cataloguing.
Elizabeth Jacklin
February 2019
How to cite
Elizabeth Jacklin, ‘Petworth House: The Empty Bed 1827’, catalogue entry, February 2019, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2024, https://www