J.M.W. Turner
Joseph Mallord William Turner Petworth House: The White Library, with a Man in Red Uniform 1827
Joseph Mallord William Turner,
Petworth House: The White Library, with a Man in Red Uniform
1827
Petworth House: The White Library, with a Man in Red Uniform 1827
D22684
Turner Bequest CCXLIV 22
Turner Bequest CCXLIV 22
Gouache and watercolour on blue wove paper, 143 x 190 mm
Stamped in black ‘CCXLIV 22’ bottom right
Blind stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCXLIV 22’ bottom right
Blind stamped with Turner Bequest monogram bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1938
Four Screens, British Museum, London, September 1938 (no catalogue, as ‘Scene at Petworth’).
1953
Display of Watercolours from the Turner Bequest, Tate Gallery, London, January 1953–April 1959 (no catalogue, as ‘Petworth: The Red Uniform’).
1963
Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, National Gallery of Art, Washington, DC, September–October 1963, Museum of Fine Arts of Houston, Texas, November, M.H. de Young Memorial Museum, San Francisco, December 1963–January 1964, Cleveland Museum of Art, Ohio, January–March, William Rockhill Nelson Gallery of Art, Kansas City, Missouri, March–April, Brooklyn Museum, New York, May, National Gallery of Canada, Ottawa, June–July 1964 (29).
1968
Bicentenary Exhibition 1768–1968, Royal Academy of Arts, London, December 1968–March 1969 (556A).
1970
Turner at Petworth: An Exhibition Arranged by the National Trust of Drawings of Petworth by J.M.W. Turner R.A. 1775–1851, Petworth House, Petworth, June–August 1970 (no catalogue).
1972
Das Aquarell 1400–1950, Haus der Kunst, Munich, October 1972–January 1973 (148).
1977
Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, International Exhibitions Foundation tour, Cleveland Museum of Art, September–November 1977, Detroit Institute of Arts, December 1977–February 1978, Philadelphia Museum of Art, March–April 1978 (32).
1979
Turner at Petworth, Petworth House, Petworth August–October 1979 (no catalogue).
2002
Turner at Petworth, Petworth House, Petworth, July–September 2002 (50).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.744, CCXLIV 22, as ‘The red uniform; an interior with figures.’.
1963
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington, DC 1963, no.29 as ‘Petworth, Conversation in the Library’.
1968
Graham Reynolds, Bicentenary Exhibition 1768–1968, exhibition catalogue, Royal Academy of Arts, London 1968, no.556A as ‘The Library, Petworth’.
1970
Lord Egremont and Kenneth Clark, Turner at Petworth: An Exhibition Arranged by the National Trust of Drawings of Petworth by J.M.W. Turner R.A. 1775–1851, exhibition catalogue, Petworth House, Petworth 1970.
1972
Walter Koschatzky, Herbert Pée, Dieter Kuhrmann and others, Das Aquarell 1400–1950, exhibition catalogue, Haus der Kunst, Munich 1972, no.148, p.107, p.126 reproduced in colour.
1977
Andrew Wilton, Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, exhibition catalogue, Cleveland Museum of Art 1977. no.32 reproduced as ‘Petworth: An Officer in Red Uniform Talking to a Seated Woman’.
1989
Martin Butlin, Mollie Luther and Ian Warrell, Turner at Petworth: Painter and Patron, London 1989, pp. 142, 143, 164 pl.14.
1990
Martin Butlin, Mollie Luther and Ian Warrell, Turner: Les Années Egremont: Chefs d’oeuvre inédits, trans. Tamara Préaud, Paris 1990, pl.14.
1991
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.60 under no.65.
2002
Christopher Rowell, Ian Warrell and David Blayney Brown, Turner at Petworth, exhibition catalogue, Petworth House, Petworth 2002, pp.111, 115 fig.112, 194 under no.50.
This is one of a large group of separate studies, most of which were made in gouache and watercolour on blue paper, associated with a visit to Petworth House in West Sussex, the home of the third Earl of Egremont. For more information, see the Introduction to this section.
The setting for this scene is Petworth’s White Library, a well-used drawing room in which guests gathered both before and after dinner; for more information about Turner’s numerous studies of this room, see the entry for Tate D22678 (Turner Bequest CCXLIV 16). It has been speculated that the figure in red uniform is one of Lord Egremont’s military sons: George (1787–1869), Henry (1790–1860) or Charles (1796–1866).1 Christopher Rowell argued that while George was certainly at Petworth in November 1827, he was a little old to be the figure captured in Turner’s sketch, who more likely represents Henry or Charles.2 The figure does seem to suggest youthfulness: he has a full head of brown hair and perhaps also a certain swagger to his stance. Behind him various other figures are shown seated, indicating the White Library’s role as a social space in the house.
For another study of the room including figures in what appears to be red uniform, see D22693 (Turner Bequest CCXLIV 31).
Verso:
Blank, save for inscriptions: inscribed in pencil ‘9 l’ near centre, ‘485’ bottom left and ‘ccxliv 22’ bottom right; stamped in black with Turner Bequest monogram and ‘CCXLIV 22’ bottom left.
Elizabeth Jacklin
How to cite
‘Petworth House: The White Library, with a Man in Red Uniform 1827’, catalogue entry, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2024, https://www
