Joseph Mallord William Turner Red Sky and Crescent Moon c.1818
Joseph Mallord William Turner,
Red Sky and Crescent Moon
c.1818
Folio 54 Recto:
Red Sky and Crescent Moon c.1818
D12502
Turner Bequest CLVIII 54
Turner Bequest CLVIII 54
Watercolour and gouache on white wove paper, 125 x 247 mm
Watermark ‘J Whatman | 1814’
Blind-stamped with Turner Bequest monogram bottom right
Inscribed in red ink ‘54’ bottom right
Stamped in black ‘CLVIII – 54’ bottom right
Watermark ‘J Whatman | 1814’
Blind-stamped with Turner Bequest monogram bottom right
Inscribed in red ink ‘54’ bottom right
Stamped in black ‘CLVIII – 54’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (177, as ‘Sunset with a Crescent Moon’, c.1818).
1979
J.M.W. Turner: Sea, Sky and Sun: Watercolours from the Turner Bequest, Loaned by the British Museum, Tate Gallery, London, December 1979–July 1980 (no catalogue).
1995
Sketching the Sky: Watercolours from the Turner Bequest, Tate Gallery, London, September 1995–February 1996 (no number, as ‘Red Sky and Crescent Moon’, c.1818).
1998
Moonlight and Firelight: Watercolours from the Turner Bequest, Tate Gallery, London, July–November 1998 (no catalogue).
2001
William Turner: Licht und Farbe, Museum Folkwang, Essen, September 2001–January 2002, Kunsthaus Zürich, February–May 2002 (90, as ‘Skizzenbuch Himmelsstudient’, 1817?, reproduced in colour).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.452, CLVIII 54, as ‘Do.’ (i.e. ditto: ‘Study of sky’).
1818
Andrew Wilton in Martin Butlin, Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, pp.80–1 no.177, as ‘Sunset with a Crescent Moon’, c.1818.
1975
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, reproduced in colour p.21 (top), as CLVIII ‘53’.
1987
John Gage, J.M.W. Turner: ‘A Wonderful Range of Mind’, New Haven and London 1987, p.247 note 74.
1993
Robert Upstone, Sketchbooks of the Romantics, reprint ed., London 1993, p.[128], reproduced in colour p.129.
1818
Sketching the Sky: Watercolours from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.[9], as ‘Red Sky with Crescent Moon’, c.1818.
1998
James Hamilton, Turner and the Scientists, exhibition catalogue, Tate Gallery, London 1998, pp.62–4, under no.58, as ‘Study of the Sky’, 1818, fig.62 (colour).
2001
Andrew Wilton, Inge Bodesohn-Vogel and Helena Robinson, William Turner: Licht und Farbe, exhibition catalogue, Museum Folkwang, Essen 2001, pp.[155], 318 no.90, as ‘Skizzenbuch Himmelsstudien’, 1817?, reproduced in colour.
2014
Ian Warrell, Turner’s Sketchbooks, London 2014, reproduced in colour p.103.
2016
David Blayney Brown, J.M.W. Turner: The ‘Skies’ Sketchbook, London 2016, reproduced in colour p.[127].
2017
Alan Davis, ‘J.M.W. Turner: The ‘Skies’ Sketchbook with an introduction by David Blayney Brown’, Turner Society News, no.127, Spring 2017, pp.25–7.
This sketch shows the moon in what appears to be the waxing crescent phase rising over a body of water that might be the sea. Around the curve of the moon Turner has used washes of red, orange, and grey to evoke a striking evening skyscape. The vibrant but simultaneously subdued colours of the composition may reflect the unusual atmospheric conditions that followed the explosion of Mount Tabora in 1815. David Blayney Brown has remarked that:
the sustained concentration on the sky demonstrated in this sketchbook is exceptional, surely reflecting extraordinary weather conditions at the time. On 10 April 1815, Mount Tambora at Sumbawa in the Dutch East Indies (now Indonesia) erupted in the most spectacular and devasting volcanic explosion in recorded history, throwing a plume of dust and gas into the atmosphere. For almost three years, skies around the world went dark or developed a baleful, infernal glow as the sun or moon struggled to break through. Crops failed; famine, cholera and typhus ran rampant, killing millions; riots and insurrection broke out in many countries, threatening anarchy, terrifying governments and creating an apocalyptic, millenarian mood to match the prevailing gloom.1
See the sketchbook’s Introduction for general notes on possible locations and dating.
Verso:
Blank, save for blue marks across the top of the page, likely offset from folio 55 recto opposite (D12503).
Caitlin Doley
July 2024
How to cite
Caitlin Doley, ‘Red Sky and Crescent Moon c.1818’, catalogue entry, July 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, October 2024, https://www