Joseph Mallord William Turner The Portico of the Maison Carrée, Nimes; View of the Port at Marseille 1828
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Joseph Mallord William Turner,
The Portico of the Maison Carrée, Nimes; View of the Port at Marseille
1828
Folio 46 Verso:
The Portico of the Maison Carrée, Nimes; View of the Port at Marseille 1828
D21079
Turner Bequest CCXXX 45a
Turner Bequest CCXXX 45a
Pencil on cream lined wove paper, 145 x 111 mm
Inscribed in pencil by Turner ‘Marseilles’ below centre, upside down
Inscribed in pencil by Turner ‘Marseilles’ below centre, upside down
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.707, CCXXX 45a, as ‘Do. [i.e. ditto: Roman ruins at “Nîmes.”]: also a view of harbour at “Marseilles.”’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.275, 282, figs.512 and 525 (upside down), as ‘“Nîmes”: also a view of harbour at “Marseilles”.’ and ‘Marseille.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.298.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.[138], 206 note 7.
This page depicts the Maison Carrée or ‘square house’, a Roman temple in the centre of Nîmes. It was constructed in the first century AD to commemorate the prematurely deceased heirs of the Emperor Augustus, and is today regarded as one of the best-preserved examples of its kind. Turner’s viewpoint is from the side of the portico, looking west. The Corinthian columns are sketched in the foreground, and the coffered ceiling of the portico is also visible. For economy, only a corner profile of the entablature is included, with a further detail added to the left. A more distant sketch of the Maison Carrée from a different angle appears on folio 46 recto (D21078; Turner Bequest CCXXX 45). This sketch is inverted relative to the sketchbook’s foliation. For a general commentary on Turner’s visit to Nîmes and a list of comparable works in the sketchbook, see under folio 44 verso (D21075; Turner Bequest CCXXX 43a).
Executed at a later date and with the sketchbook turned upright, the study beneath depicts boat masts in the old port at Marseille, a location confirmed by Turner’s inscription. A more in-depth exploration of Marseille can be found later in the sketchbook between folios 53 recto and 66 recto (D21092–D21114 and D21117–D21118; Turner Bequest CCXXX 52–63 and 64a–65).
Hannah Kaspar
March 2024
How to cite
Hannah Kaspar, ‘The Portico of the Maison Carrée, Nimes; View of the Port at Marseille 1828’, catalogue entry, March 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2025, https://www