The first oil painting Turner exhibited at the Royal Academy, this is a moonlit scene in the tradition of Horace Vernet, Philip de Loutherbourg and Joseph Wright of Derby. These painters were largely responsible for fuelling the eighteenth-century vogue for nocturnal subjects. The sense of the overwhelming power of nature is a key theme of the sublime. The potency of the moonlight contrasts with the delicate vulnerability of the flickering lantern, emphasising nature’s power over mankind and the fishermen’s fate in particular. The jagged silhouettes on the left are the treacherous rocks called ‘the Needles’ off the Isle of Wight.
How to cite
Joseph Mallord William Turner, Fishermen at Sea exhibited 1796, in Nigel Llewellyn and Christine Riding (eds.), The Art of the Sublime, Tate Research Publication, January 2013, https://www.tate.org.uk/art/research-publications/the-sublime/joseph-mallord-william-turner-fishermen-at-sea-r1105568, accessed 20 June 2019.