J.M.W. Turner
>
1830-35 Annual tourist
>
Scotland 1831
>
Abbotsford Sketchbook
>
Artwork
Joseph Mallord William Turner Temple of the Muses, Dryburgh 1831
Joseph Mallord William Turner 1775–1851
Folio 74 Recto:
Temple of the Muses, Dryburgh 1831
D26060
Turner Bequest CCLXVII 76
Turner Bequest CCLXVII 76
Pencil on off-white wove writing paper, 113 x 185 mm
Inscribed in blue ink by John Ruskin ‘76’ bottom left inverted and ‘271’ top left inverted
Stamped in black ‘CCLXVII – 76’ top left inverted
Inscribed in blue ink by John Ruskin ‘76’ bottom left inverted and ‘271’ top left inverted
Stamped in black ‘CCLXVII – 76’ top left inverted
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.859, CCLXVII 76, as ‘Ruined tower on hill.’.
With the sketchbook inverted and continued slightly on folio 73 verso (D26059; CCLXVII 75a) is the view north from Dryburgh Abbey (see folio 9; D25942; CCLXVII 9). Looking along the River Tweed, which runs north at this point, with Black Hill in the background at the left is a cylindrical structure on a slight rise to the right of the river. This is the Temple of the Muses, a Greek pavilion erected by the 11th Earl of Buchan as a tribute to the poet James Thomson. Thomson was a favourite poet of Turner who appended lines from The Seasons to many of his exhibits at the Royal Academy; Turner’s fragment poem, The Fallacies of Hope, was also largely inspired by the work.1
It is little wonder, therefore, that he made this sketch, and that the pavilion is included in his watercolour of Dryburgh Abbey circa 1832 (Tate N05241).2 There it appears as a tiny white dot just above the abbey itself. That Turner did not visit the temple – there are no further sketches and Robert Cadell makes no mention of it in his diary entry of the day – despite crossing Lord Buchan’s suspension bridge nearby, can be explained by his busy itinerary that day which was described by Robert Cadell as ‘a great day of business’ which left ‘Mr Turner [...] much tired’.3
Thomas Ardill
September 2009
Jan Piggott, ‘James Thomson’, Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.336.
How to cite
Thomas Ardill, ‘Temple of the Muses, Dryburgh 1831 by Joseph Mallord William Turner’, catalogue entry, September 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www