J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8

Joseph Mallord William Turner Edinburgh, from St Anthony's Chapel 1834

Joseph Mallord William Turner 1775–1851
Folio 87 Recto:
Edinburgh, from St Anthony’s Chapel 1834
D26426
Turner Bequest CCLXIX 87
Pencil on off-white wove paper, 113 x 190 mm
Inscribed in pencil by Turner ‘5 0’ top centre
Inscribed in blue ink by John Ruskin ‘87’ bottom left inverted and ‘340’ top left inverted
Stamped in black ‘CCLXIX 87’ top left inverted
 
Accepted by the nation as part of the Turner Bequest 1856
In this sketch of Edinburgh from St Anthony’s Chapel we see Turner groping towards his final, most developed drawing of the view on folios 89 verso–90 (D26431–D26432). However, while the different elements of the composition are beginning to fall into place, the composition as a whole looks unresolved and awkward, and the sketch is fairly rapid and lacking in detail.
The view is from the slopes of the crags in Holyrood Park just to the south of the ruin of St Anthony’s Chapel which is depicted in the centre of the foreground. The hillside of Salisbury Crags rises to the left. The other objects in view are Edinburgh Castle at the upper left, Calton Hill with Nelson’s Monument and the National Monument in the upper centre, and beneath that Holyrood Palace with what appear to be ploughed fields to the right.
At the top right of the page, drawn with the sketchbook turned to the right, is a sketch of a church tower. David Wallace-Hadrill has suggested that this could be the Tron Kirk in Edinburgh.1 Although the clock-face and steeple match quite well, the section between the two is unlike the Tron Kirk’s tower. Another possibility is the tower of St Andrew’s Church (now called St Andrew’s and St George’s); see folio 88 (D26428).
For further sketches of Edinburgh from around this vantage point, see folio 89 verso.

Thomas Ardill
November 2010

1
David Wallace-Hadrill, [CCLXIX Checklist], [circa 1991], Tate catalogue files, unpaginated MS, CCLXIX 87.

How to cite

Thomas Ardill, ‘Edinburgh, from St Anthony’s Chapel 1834 by Joseph Mallord William Turner’, catalogue entry, November 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-edinburgh-from-st-anthonys-chapel-r1136356, accessed 21 September 2024.