Joseph Mallord William Turner View of the Waterfront at Castellammare di Stabia 1819
Joseph Mallord William Turner 1775–1851
Folio 59 Recto:
View of the Waterfront at Castellammare di Stabia 1819
D15845
Turner Bequest CLXXXV 58
Turner Bequest CLXXXV 58
Pencil on white wove paper, 113 x 189 mm
Inscribed by ?John Ruskin in blue ink ‘278’ top left, inverted and ‘58’ bottom left, inverted
Stamped in black ‘CLXXXV 58’ top left, inverted
Stamped in black ‘CLXXXV 58’ top left, inverted
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.548, as ‘Amalfi (?)’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.491 note 32.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.79 note 25.
1993
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, p.299 under no.49.
1994
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, p.162 under no.49.
Finberg tentatively identified the subject of this sketch as Amalfi but it actually depicts a view of Castellammare di Stabia (formerly Castellamare or Castel a Mare), a city on the coast of the Sorrentine peninsula, approximately six miles north-east of Sorrento.1 Located beneath the heights of Monte Faito, part of the Lattari mountain range, it was built on the site of ancient Stabiae, overwhelmed by the same Vesuvian eruption which also destroyed Pompeii and Herculaneum. During the late eighteenth century it became an important centre for shipbuilding and housed the naval arsenal of the Neapolitan royal family. Turner seems to have passed through en route between Sorrento and Naples. He made a number of studies from the sea but this drawing seems to have been taken from the shoreline. The vista looks west along the waterfront towards the distant hill of Pozzano on the far right-hand side. On the slopes to the left is the ninth-century castle from which Castellammare derives its name, whilst on the right is the arsenal and dockyard. A small part of the composition spills over onto the opposite sheet of the double-page spread, see folio 58 verso (D15906; Turner Bequest CLXXXV 91). Further studies of Castellammare can be seen on folios 39 verso–41, 59 verso–61 (D15812–D15814, D15846–D15849).
Nicola Moorby
October 2010
How to cite
Nicola Moorby, ‘View of the Waterfront at Castellammare di Stabia 1819 by Joseph Mallord William Turner’, catalogue entry, October 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www