Joseph Mallord William Turner Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including a Sarcophagus 1819
Joseph Mallord William Turner 1775–1851
Folio 16 Recto:
Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including a Sarcophagus 1819
D15133
Turner Bequest CLXXX 15
Turner Bequest CLXXX 15
Pencil on paper 101 x 161 mm
Inscribed by the artist in pencil (see main catalogue entry)
Inscribed by John Ruskin in red ink ‘15’ bottom left, descending left-hand edge
Stamped in black ‘CLXXX 15’ bottom left, along descending left-hand edge
Inscribed by John Ruskin in red ink ‘15’ bottom left, descending left-hand edge
Stamped in black ‘CLXXX 15’ bottom left, along descending left-hand edge
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.532, as ‘A Sarcofagus. No. “12” – “2ys. 1. high – Munificentia Pii Sex. P. M.” See Visconti’s “Mus. Pio Clem” plate XIII., vol. VII.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.413, 476 note 8, as ‘Sarcophagus (A, I, pl.29, 169)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.51 note 6.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page contains sketches of two objects, one or both of which were probably found in the Galleria Lapidaria (Lapidary Gallery) of the Museo Chiaramonti. The studies are numbered from left to right:
a.
The sketch parallel with the left-hand edge of the page appears to depict a griffin. The source of the detail is currently unidentified. However, the object features within a sheet of antiquities drawn by James Hakewill (1778–1843) in 1817 (British School at Rome Library).1
b.
Cecilia Powell has identified the subject of the right-hand sketch as a sarcophagus,2 found in the Galleria Lapidaria (Lapidary Gallery) of the Museo Chiaramonti.3 The sarcophagus is decorated with sculptural figures and a strigil pattern which Turner only briefly indicated but has noted that it is repeated ‘12’ times on one side. Above the drawing is an inscription by the artist which reads ‘[?278] 1 High’ and ‘MVNIFICENTIA P U SEX PM’.
The sketch parallel with the left-hand edge of the page appears to depict a griffin. The source of the detail is currently unidentified. However, the object features within a sheet of antiquities drawn by James Hakewill (1778–1843) in 1817 (British School at Rome Library).1
b.
Cecilia Powell has identified the subject of the right-hand sketch as a sarcophagus,2 found in the Galleria Lapidaria (Lapidary Gallery) of the Museo Chiaramonti.3 The sarcophagus is decorated with sculptural figures and a strigil pattern which Turner only briefly indicated but has noted that it is repeated ‘12’ times on one side. Above the drawing is an inscription by the artist which reads ‘[?278] 1 High’ and ‘MVNIFICENTIA P U SEX PM’.
Nicola Moorby
November 2009
See Tony Cubberley and Luke Herrmann, Twilight of the Grand Tour: A Catalogue of the drawings by James Hakewill in the British School at Rome Library, Rome 1992, no.5M.19, reproduced p.313.
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including a Sarcophagus 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www