This watercolour is composed on white paper with preliminary under-drawing in pencil. The image was created by the careful application of watercolour to dry paper. There is little overlap of colours in the painting except for areas where shadow and lighting effects have been created. Pigments used include yellow ochre, vermilion and possibly indigo.
					
						Helen Evans
						October 2008
					
						Revised by Joyce Townsend
						February 2011
					
				 
				
				
					
How to cite
					Helen Evans, 'Technique and Condition', October 2008, revised by Joyce Townsend, February 2011, in Andrew Wilton, ‘Canterbury: Christ Church Gate 1792 by Joseph Mallord William Turner’, catalogue entry, April 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-canterbury-christ-church-gate-r1140288, accessed 31 October 2025.