Joseph Mallord William Turner The Rham Plateau and the Bock, Luxembourg, from the North-East c.1839
Joseph Mallord William Turner,
The Rham Plateau and the Bock, Luxembourg, from the North-East
c.1839
Joseph Mallord William Turner 1775–1851
The Rham Plateau and the Bock, Luxembourg, from the North-East c.1839
D20245
Turner Bequest CCXXI L
Turner Bequest CCXXI L
Gouache, pen and ink and watercolour on blue wove paper, 142 x 190 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCXXI–L’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCXXI–L’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (187, as ‘Luxembourg?’).
1939
Aberystwyth, ?November 1939–1939 (no catalogue; 7, as Luxembourg ?).
1939
Grande Saison internationale de l’eau, Liège, May–September 1939 (7, as Luxembourg ?).
1959
Turner Watercolours from the British Museum, Luxembourg State Museum, June–July 1959 (no catalogue).
1970
Turner: Watercolours Lent by the British Museum, Musée Provisoire d’Art Moderne, Brussels, November 1970–January 1971 (33).
1982
J.M.W. Turner Watercolors from the British Museum, Georgia Museum of Art, University of Georgia, Athens, March–May 1982, Museum of Fine Arts, Houston, May–July 1982 (46, reproduced as Luxembourg).
1984
J.M.W. Turner in Luxembourg and its neighbourhood, Musée de l’Etat, Luxembourg, March–April 1984 (18, reproduced as Vue de Luxembourg depuis les hauters de Clausen).
1991
Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, Tate Gallery, London, September 1991–January 1992, Musée Communal d’Ixelles, Brussels, February–April 1992 (126, reproduced, and in colour [p.93]).
1995
J.M.W. Turner: The Luxembourg Watercolours: Collections de la Tate Gallery, Londres et du Musée national d’histoire et d’art, Luxembourg, Musée national d’histoire et d’art, Luxembourg, January–February 1995 (13, reproduced in colour as Vue de Luxembourg depuis les hauters de Clausen).
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.386, 616 no.187, as ‘Luxembourg?’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.689, as ‘Luxembourg (?)’.
1984
Gérard Thill, Jean-Claude Muller and Jean Luc Koltz, J.M.W. Turner in Luxembourg and its neighbourhood, exhibition catalogue, Musée de l’Etat, Luxembourg 1984, pp.24, and note 33 [p.31], 29, and note 41, [p.31], 77 no.19.
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, pp.180–1 no.126.
The fortified Rocher du Bock is pictured at the centre of this vividly coloured gouache. The promontory is foreshortened here, and shown from a north-easterly perspective with the towers of the mighty Bock fortress in the middle distance. Turner’s rendering of the formidable military complex of Vauban, chief military engineer to King Louis XIV, evokes its expansiveness, as the promontory is depicted projecting out towards the horizon line. A vaporous blue mist rises from the Alzette valley below, creeping up the sides of the gorge and obscuring the foundations of the fortress so that sheer cliff and citadel appear constructed of the same gigantic stone. The foreground is occupied by abundant vegetation, and framed, to the left, by a striated rust-red cliff.
As with other of Turner’s Luxembourg gouaches, the colouring here is rich and multifarious, comprised of representational and non-representational pigments such as opaque ochre and dilute purple, which achieves striking chromatic contrasts. To define the foreground foliage and rock formations, Turner has drawn over the gouache and watercolour with pen and brown ink in rough hatching and loose scalloped line. For similar drawings see Tate D20244, D20246–D20249, D20264, D20270, D20272–D20273, D20284–D20285, N05240; Turner Bequest CCXXI K, CCXXI M–CCXXI P, CCXXII E, CCXXII K, CCXXII M–CCXXII N, CCXXII Y–CCXXII Z.
Verso:
Inscribed in pencil ‘16a’ at centre and ‘33 a’ at centre towards right; stamped in black with Turner Bequest monogram and ‘CCXXI L’ at centre towards bottom; inscribed in pencil ‘CCXXI L’ at bottom centre.
Alice Rylance-Watson
June 2013
How to cite
Alice Rylance-Watson, ‘The Rham Plateau and the Bock, Luxembourg, from the North-East c.1839 by Joseph Mallord William Turner’, catalogue entry, June 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www