Joseph Mallord William Turner The Town Hall, Louvain, and the Choir of St Peter's Church c.1839
Joseph Mallord William Turner,
The Town Hall, Louvain, and the Choir of St Peter's Church
c.1839
Joseph Mallord William Turner 1775–1851
The Town Hall, Louvain, and the Choir of St Peter’s Church c.1839
D20263
Turner Bequest CCXXII D
Turner Bequest CCXXII D
Gouache, pen and ink and watercolour on blue wove paper, 140 x 188 mm
Stamped in black ‘CCXXII D’ bottom right
Stamped in black ‘CCXXII D’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1896
Fifth Loan Collection, National Gallery, London, 1896, Grosvenor Museum, Chester, 1897–9, Corporation Galleries, Glasgow, 1900–2, National Gallery, London, 1903, Museum and Art Gallery, Bristol, 1904–6, National Gallery, London, 1907–8, Liverpool Art Gallery, 1909–10, Aberdeen, 1911, Nottingham Art Gallery, 1912, Grosvenor Museum, Chester, 1913, Museum and Art Gallery, Plymouth, February 1914, Blackpool, 1915, Blackburn Art Gallery, 1916–18, Bradford Art Gallery, 1919–20, Burnley, 1921–2, Colne, 1923–4, Rawtenstall, 1925–6, Tate Gallery, London, 1927–30, transferred to the British Museum, London 1931 (no catalogue, but numbered 15).
1933
Victoria and Albert Museum Circulation Department, London, September 1933 (no catalogue, but numbered Box 3).
1971
Victoria and Albert Museum Circulation Department Conservation Studio, London, ?1971 (no catalogue).
1988
Turner & Architecture, Tate Gallery, London, March–July 1988 (38, as Hotel de Ville, Louvain).
1991
Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, Tate Gallery, London, September 1991–January 1992, Musée Communal d’Ixelles, Brussels, February–April 1992 (107, reproduced, and in colour [p.87]).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.690, as ‘Hôtel de Ville, Louvain, with the Church of St. Pierre’.
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, pp.54, 131 no.48, 160 no.97, 166 no.107.
Here Turner pictures two of Louvain’s most celebrated medieval buildings, St Peter’s Church and the Town Hall (Stadhuis), situated on the city’s Grote Markt. Their splendour and ornate architectural detail are represented to full effect.
At right, rendered in black ink, is part of the south transept of St Peter’s Church (c.1425–97). Turner captures the chilliness of its pale grey masonry, as well as portraying the church’s grand flying buttresses designed in the Brabantine Gothic style. A parade of buildings can also be seen at the foot of the choir, snuggly surrounding it and rather dwarfed in comparison. With their traditional Dutch and crow-stepped gables, these vernacular buildings stand in total yet picturesque contrast to the majestic ecclesiastical architecture of St Peter’s.
Behind the church, illuminated in golden gouache, is a building described by the nineteenth-century travel writer Dudley Costello as the gleaming ‘architectural gem’ of Belgium: Louvain’s Town Hall. 1 Indeed, in this drawing the Stadhuis is less a civic edifice than a structure which resembles an intricate and bejewelled reliquary. Turner’s choice of radiant golden gouache and the precision with which he renders the exterior decoration of the building evoke filigree metalwork or an elaborate Gothic chasse.
The colour palette employed here is identical to Turner’s other 1839 gouache of Louvain (Tate D24590; Turner Bequest CCLIX 25). See Tate D28045; Turner Bequest CCLXXXVII 2a for the preparatory sketch to this work, and Tate D28046–D28047, D28064; Turner Bequest CCLXXXVII 3–3a, 12 for other sketches of St Peter’s.
Alice Rylance-Watson
June 2013
How to cite
Alice Rylance-Watson, ‘The Town Hall, Louvain, and the Choir of St Peter’s Church c.1839 by Joseph Mallord William Turner’, catalogue entry, June 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www