Joseph Mallord William Turner The Iron Forges of Quint c.1839
Joseph Mallord William Turner 1775–1851
The Iron Forges of Quint c.1839
D24823
Turner Bequest CCLIX 258
Turner Bequest CCLIX 258
Gouache, pen and ink and watercolour on blue wove paper, 139 x 191 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX 258’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX 258’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1891
Fourth Loan Collection, Ruskin Art Museum, Meersbrook Park, Sheffield, 1891–5, Leeds Art Gallery, 1896, National Gallery, London, 1897, Glasgow Art Gallery, 1898–9, National Gallery, London, 1900, Newport Free Library and Museum, 1901–4, Wolverhampton, 1905, Municipal School of Art, Manchester, 1906–8, Nottingham Art Gallery, 1909–11, Laing Art Gallery, Newcastle upon Tyne, 1912, York City Art Gallery, May–September 1913, Corporation Art Gallery, Bury, 1913, Art Gallery, Swansea, April 1914, Cyfarthfa Castle Museum and Art Gallery, Merthyr Tydfil, 1915, Tate Gallery, London, 1916–21, Newport, 1922, Whitworth Institute Art Galleries, Manchester, 1923–4, Tate Gallery, 1925, Wolverhampton, 1926, Tate Gallery, 1927–30, transferred to the British Museum, London, 1931 (22, no catalogue).
1952
Watercolours from the Turner Bequest [Loan Series D], County Borough of Swansea Art Galleries, October–December 1952 (6, no catalogue).
1949
British Painting from Hogarth to Turner, British Council tour, Kunsthalle, Hamburg, Kunsternernes Hus, Oslo, Nationalmuseum, Stockholm, Statens Museum for Kunst, Copenhagen, 1949–50 (107).
1991
Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, Tate Gallery, London, September 1991–January 1992, Musée Communal d’Ixelles, Brussels, February–April 1992 (50, reproduced).
1995
Turner in Germany, Tate Gallery, London, May–September 1995, Städtische Kunsthalle Mannheim, September 1995–January 1996, Hamburger Kunsthalle, Hamburg, January–March 1996 (44, reproduced in colour).
References
1896
William White, Notes on a Biographical Series of Fifty Drawings and Sketches by J.M.W. Turner, R.A., Belonging to the National Gallery Collection, London 1896, (34, as Elbeuf, on the Seine (?) (p.28: NG 22, Lake Scene, with Factory Works in Distance).
1906
A Catalogue of an Exhibition of Studies & Drawings ... by Frederic Shields ... Drawings and Sketches by J.M.W. Turner, exhibition catalogue, Municipal School of Art, Manchester 1906, (29, as French River Scene, with Factory Works in distance. c.1830–33: body colour).
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.805, as ‘River scene, with factory works in distance’.
1912
Catalogue of Original Drawings in Water Colour, Etc., by J.M.W. Turner, R.A., Lent by the Trustees of the National Gallery, exhibition catalogue, Laing Art Gallery and Museum, Newcastle upon Tyne 1912, (2, as French River Scene, with Factory Works in Distance. c.1830–33).
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, pp.19, 132 no.50 reproduced.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.61, 64, 126 no.44 reproduced in colour.
1995
Cecilia Powell and Pia Müller-Tamm, William Turner in Deutschland, exhibition catalogue, [Städtische] Kunsthalle Mannheim 1995, p.146 no.44 reproduced in colour.
Here Turner shows the flourishing industrial town of Quint, situated on the banks of the Moselle. The view is based on preliminary pencil sketches in the Trèves to Cochem and Coblenz to Mayence sketchbook (Tate D28419; Turner Bequest CCXC 35). Quint gained its name from its situation as ‘the fifth milestone on the Roman road from Trier to Andernach’, according to Cecilia Powell.1
Two vividly striated cliffs frame the town in Turner’s picture, the rocks here streaked with rust, amber and terracotta gouache and red ink. The ‘lofty chimneys’ of Quint’s forges can be seen belching out smoke in the valley: the town’s chief industry at the time of Turner’s visit was the ‘smelting of iron ore’ which abounded ‘in the neighbouring mountains’.2 Long barges are moored at the river’s edge awaiting their cargo.
Verso:
Stamped in black with Turner Bequest monogram and ‘CCLIX–258’ bottom left; inscribed in pencil ‘?25’ centre and ‘CCLIX 258’ bottom right.
Alice Rylance-Watson
September 2013
How to cite
Alice Rylance-Watson, ‘The Iron Forges of Quint c.1839 by Joseph Mallord William Turner’, catalogue entry, September 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www