Joseph Mallord William Turner Dinant, Looking Upstream from the West Bank 1824
Joseph Mallord William Turner 1775–1851
Folio 19 Recto:
Dinant, Looking Upstream from the West Bank 1824
D20113
Turner Bequest CCXVII 19
Turner Bequest CCXVII 19
Pencil on off-white wove paper, 99 x 162 mm
Inscribed in blue ink by Ruskin ‘19’ top right and ‘247’ bottom right
Stamped in black ‘CCXVII–19’ bottom right
Inscribed in blue ink by Ruskin ‘19’ top right and ‘247’ bottom right
Stamped in black ‘CCXVII–19’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (601h, as ‘Ten Leaves from a Book of Sketches on the Rhine and Meuse’).
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.302, 636 no.601h, as ‘Ten Leaves from a Book of Sketches on the Rhine and Meuse’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.682, as ‘Dinant’.
1975
Malcolm Cormack, J.M.W. Turner, R.A. 1775–1851: A Catalogue of Drawings and Watercolours in the Fitzwilliam Museum, Cambridge, Cambridge 1975, p.64 no.41 note 1, [p.68].
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, pp.31 fig.31; 41 and note 18, [p.60].
This drawing was produced with the sketchbook turned upside down.
This finely wrought study of Dinant shows the city from the west bank looking upstream, the opposite vantage point to that shown on Tate D20109–D20112; Turner Bequest CCXVII 16–18. The drawing reveals to full effect the sheer scale of the ridge which looms over the town and the angles of the mighty citadel rising perpendicularly from the rock. Although the fortress was finished in 1821, by the time of Turner’s visit the hoist which had been used in its construction was still attached. This piece of equipment, depicted in the present drawing, raised stone imported from the barges on the Meuse up to the site over one hundred metres above ground level.1 The Collegiate Church of Notre-Dame and stone bridge are also in full view, framed in the foreground by a group of moored boats.
For other 1824 drawings of Dinant, see those in the Rivers Meuse and Moselle (Tate D19554, D19559, D19654–D19657, D19659, D19662–D19663; Turner Bequest CCXVI 2, 4a, 52a–54, 55, 56a–57). For later views, particularly sketches taken in 1839, see Tate D28094, D28122, D28125, D28142, D28147, D28153, D28155–D28158, D28160–D28166, D41091; Turner Bequest CCLXXXVII 27a, 42a, 44a, 53, 56a, 59a, 60a–62a, 63a–66a. There is also a series of colour drawings executed in gouache and watercolour: Tate D20227, D20228, D24724, D28984; Turner Bequest CCXX T, U; CCLIX 159, CCXCII 37.
Technical notes:
The paper has mottled and browned significantly, a result of the drawing’s prolonged exhibition and exposure to sunlight during the nineteenth century.
Alice Rylance-Watson
January 2014
How to cite
Alice Rylance-Watson, ‘Dinant, Looking Upstream from the West Bank 1824 by Joseph Mallord William Turner’, catalogue entry, January 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www