Joseph Mallord William Turner Brighton, with Pavilion in Mid Distance c.1824
Joseph Mallord William Turner 1775–1851
Folio 22 Verso:
Brighton, with Pavilion in Mid Distance c.1824
D18347
Turner Bequest CCX 22
Turner Bequest CCX 22
Pencil on white wove paper, 75 x 118 mm
Inscribed in pencil by Turner ‘in difft parts of Europe | and in year 1745 fought under the Duke of | Cumberland at Fontenoy where she received a Bayonet wound in | her Arm | Her long life which [...] time of | Queen Anne | extended to G 4 | by whose munificence she received comfort | in her latter days She died at | Brighton where she long | resided A 108 years’ at top
Inscribed in blue ink by Ruskin ‘22’ top right
Stamped in black ‘CCX 22’ bottom right
Inscribed in pencil by Turner ‘in difft parts of Europe | and in year 1745 fought under the Duke of | Cumberland at Fontenoy where she received a Bayonet wound in | her Arm | Her long life which [...] time of | Queen Anne | extended to G 4 | by whose munificence she received comfort | in her latter days She died at | Brighton where she long | resided A 108 years’ at top
Inscribed in blue ink by Ruskin ‘22’ top right
Stamped in black ‘CCX 22’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.636, CCX 22, as ‘Brighton, with Pavilion in mid-distance’.
1989
Martin Butlin, Mollie Luther and Ian Warrell, Turner at Petworth: Painter and Patron, London 1989, pp.120, 123 note 122.
1992
Joyce H. Townsend, ‘Turner’s Writings on Chemistry and Artists’ Materials’, Turner Society News, no.62, December 1992, p.8.
1995
David Beevers (ed.), John Roles, Ian Warrell and others, Brighton Revealed: Through Artists’ Eyes c.1760-c.1960, exhibition catalogue, Brighton Museum and Art Gallery 1995, pp.35, 36 fig.7A.
Here Turner has drawn a prospect of Brighton, taken from the yard at St Nicholas’ Church. At centre the Indo-Saracenic domes of Brighton Pavilion can be seen, and in the distance, the Chain Pier, extending out into the English Channel. In the foreground are the headstones of St Nicholas’ graveyard, crookedly protruding from the mount.
The inscriptions above the drawing are continued from the folio opposite (Tate D18346; Turner Bequest CCX 21a). They are taken from the tombstone of Phoebe Hessel: a famous resident of Brighton who served in the British Army for seventeen years disguised as a man. The notes on this page are transcribed thus: ‘in difft parts of Europe | and in year 1745 fought under the Duke of | Cumberland at Fontenoy where she received a Bayonet wound in | her Arm | Her long life which [...] time of | Queen Anne | extended to G 4 | by whose munificence she received comfort | in her latter days She died at | Brighton where she long | resided A 108 years’. See CCX 21a for the rest of the inscription.
Alice Rylance-Watson
February 2015
How to cite
Alice Rylance-Watson, ‘Brighton, with Pavilion in Mid Distance c.1824 by Joseph Mallord William Turner’, catalogue entry, February 2015, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2016, https://www