Joseph Mallord William Turner Margate: The Great Beach with Droit House, the Pier and Lighthouse, Jarvis's Landing Place, and a Smoking Steamer c.1841-5
Joseph Mallord William Turner,
Margate: The Great Beach with Droit House, the Pier and Lighthouse, Jarvis's Landing Place, and a Smoking Steamer
c.1841-5
Joseph Mallord William Turner 1775–1851
Margate: The Great Beach with Droit House, the Pier and Lighthouse, Jarvis’s Landing Place, and a Smoking Steamer c.1841–5
D36017
Turner Bequest CCCLXIV 173
Turner Bequest CCCLXIV 173
Watercolour on white wove paper, 242 x 301 mm
Watermark ‘J Whatman | 1841’
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed by ?John Ruskin in blue ink ‘1558’ bottom right
Inscribed in red ink ‘173’ bottom right
Stamped in black ‘CCCLXIV – 173’ bottom right
Watermark ‘J Whatman | 1841’
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed by ?John Ruskin in blue ink ‘1558’ bottom right
Inscribed in red ink ‘173’ bottom right
Stamped in black ‘CCCLXIV – 173’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1987
Turner and the Channel: Themes and Variations c.1845, Tate Gallery, London, October–December 1987 (43, as ‘A Steamer off a Pier, ? Margate’, c.1843, reproduced).
1993
J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, Centre Cultural de la Fundació ”la Caixa”, Barcelona, September–November 1993, Sala de Exposiciones de la Fundación ”la Caixa”, Madrid, November 1993–January 1994 (85, as ‘A Steamer off a Pier: Margate’, c.1845, reproduced in colour).
1994
J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, Palais des Beaux-Arts de Charleroi, September–December 1994 (85, as ‘A Steamer off a Pier: Margate’, c.1845, reproduced in colour).
1998
Turner and the Scientists, Tate Gallery, London, March–June 1998 (73, as ‘Steamer and Yellow Smoke, Margate’, 1840s, reproduced).
2014
Spencer Finch: The Skies Can’t Keep their Secret, Turner Contemporary, Margate, May–September 2014 (no catalogue found).
References
1830
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1187, CCCLXIV 173, as ‘Steamer, with yellow smoke, off harbour’, after c.1830.
1843
David Blayney Brown, Turner and the Channel: Themes and Variations c.1845, exhibition catalogue, Tate Gallery, London 1987, pp.10, 24 no.43, as ‘A Steamer off a Pier, ? Margate’, c.1843, fig.10.
1845
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, p.246 no.85, reproduced in colour p.247, p.311, as ‘A Steamer off a Pier: Margate’, c.1845.
1845
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, p.248 no.85, as ‘A Steamer off a Pier: Margate’, c.1845, reproduced in colour p.[249].
1998
James Hamilton, Turner and the Scientists, exhibition catalogue, Tate Gallery, London 1998, pp.84, 140 no. 73, as ‘Steamer with Yellow Smoke, Margate’, 1840s, fig.85 (colour).
As recognised by David Blayney Brown,1 this evocative view is to the west over Margate’s Great Beach past the jetty of Jarvis’s Landing Place to the stone pier, with Droit House and the lighthouse beyond, silhouetted against a pearly afternoon sky. Out in the Thames Estuary, a good deal of smoke is being blown by an east wind from the funnel of a steamer which has perhaps just departed for London, leaving the pale forms of a horse and rider and another figure alone on the beach.
The view may be directly from Mrs Booth’s house on Bank Side, and Ian Warrell has suggested Turner ‘may have worked directly from nature. The barely diluted smear of paint used to describe the trailing smoke from the steamer preserves the appearance of having been rapidly applied in order to catch a fleeting impression.’2 Compare the melancholy mood in a late watercolour of Margate at sunset (Tate N05239), and in the painting The New Moon; or, ‘I’ve lost My Boat, You shan’t have Your Hoop’, exhibited at the Royal Academy in 1840 (Tate N00526).3
Verso:
Blank; inscribed in pencil ‘ccclxiv.’ bottom right; stamped in black with Turner Bequest monogram over ‘CCCLXIV – 173’ towards bottom right.
Matthew Imms
August 2016
How to cite
Matthew Imms, ‘Margate: The Great Beach with Droit House, the Pier and Lighthouse, Jarvis’s Landing Place, and a Smoking Steamer c.1841–5 by Joseph Mallord William Turner’, catalogue entry, August 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2016, https://www
