Joseph Mallord William Turner Trees, with Distant Towers beyond Water, Perhaps Edinburgh across the Water of Leith c.1820-40
Joseph Mallord William Turner,
Trees, with Distant Towers beyond Water, Perhaps Edinburgh across the Water of Leith
c.1820-40
Joseph Mallord William Turner 1775–1851
Trees, with Distant Towers beyond Water, Perhaps Edinburgh across the Water of Leith c.1820–40
D25360
Turner Bequest CCLXIII 238
Turner Bequest CCLXIII 238
Watercolour on white wove paper, 241 x 304 mm
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed in red ink ‘238’ bottom right
Stamped in black ‘CCLXIII – 238’ bottom right
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed in red ink ‘238’ bottom right
Stamped in black ‘CCLXIII – 238’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1934
Watercolours from the Turner Bequest [Loan Series A], Municipal Museum, Burton-on-Trent, September–December 1934, Public Museum, Wardown Park, Luton, January–February 1935, Manx Museum, Douglas, Isle of Man, August–November 1936, Towner Art Gallery, Eastbourne, January–March 1937, Historical Rooms, Todmorden, January–March 1938, Graves Art Gallery, Sheffield, September 1946–February 1947, Cannon Hall, Cawthorne, December 1959–April 1960, possibly transferred to Wakefield Art Gallery, February–April (no catalogue but frame no.15, as ‘River with trees and distant tower’).
1935
Drawings and Sketches by J.M.W. Turner, National Museum of Wales, Cardiff, December 1935–April 1936 (42, as ‘River with Trees and Distant Towers’, c.1820–30).
1953
J.M.W. Turner R.A. 1775–1851: Pictures from Public and Private Collections in Great Britain, Whitechapel Art Gallery, London, February–March 1953 (158, as ‘River, with Trees and Distant Towers’, c.1820–30).
1964
Loan of Turner Watercolours from the British Museum, Graves Art Gallery, Sheffield, December 1964–January 1965, University of Nottingham Art Gallery January–March(no catalogue, as ‘River, with trees and distant towers’).
2007
J.M.W. Turner (1775–1851); F.A. Ravier (1814–1895): Lumières partagées: Aquarelles, Maison Ravier, Morestel, June–September 2007 (no number, as ‘River with trees and distant towers’, c.1820–30, reproduced in colour).
References
1820
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.832, CCLXIII 238, as ‘River, with trees and distant towers’, c.1820–30.
1820
D. Kighley Baxandall, Drawings and Sketches by J.M.W. Turner, exhibition catalogue, National Museum of Wales, Cardiff 1935, p.18 no.42, as ‘River with Trees and Distant Towers’, c.1820–30.
1820
Bryan Robertson and Sir John Rothenstein, J.M.W. Turner R.A. 1775–1851: An Exhibition of Pictures from Public and Private Collections in Great Britain, exhibition catalogue, Whitechapel Art Gallery, London 1953, p.25 no.158, as ‘River, with Trees and Distant Towers’, c.1820–30.
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, p.101 Appendix I ‘Scotland’.
1820
Nathalie Lebrun, Nicola Moorby and Christine Boyer Thiollier, J.M.W. Turner (1775–1851); F.A. Ravier (1814–1895): Lumières partagées: Aquarelles, exhibition catalogue, Maison Ravier, Morestel 2007, reproduced in colour p.[60], p.92 no number, as ‘River with trees and distant towers’, c.1820–30.
Although painted without pencil underdrawing, the pale, layered silhouettes of the buildings on the skyline beyond a trees and a stretch of bright water are quite precisely defined. Eric Shanes has suggested that the view is of Edinburgh, comparing small pencil drawings in the 1822 King’s Visit to Edinburgh sketchbook (Tate D40687, D17643; Turner Bequest CC inside front cover, 77a),1 showing Edinburgh to the south across the Water of Leith, a ‘favourite view of Turner’s’, as Thomas Ardill remarks in his entry for D17643.
The subject remains a possibility here, although the correlation with the specified sketches in not precise enough to make the identification certain, while the date and intent of this ‘colour beginning’ are open to speculation in relation to Turner’s Scottish topographical work. Tate D25345 and D25407 (Turner Bequest CCLXIII 223, 284) in the present section are loosely comparable in their combination of water, trees and distant buildings.
Technical notes:
There appears to be extensive staining except at the top. There are pencil lines a long way in from the edges, presumably applied by curators at an early date as a guide to ‘crop’ the more focused central area of the composition when mounting it for display.
Verso:
Blank; stained brown except along the top. Inscribed in pencil ‘38’ right of centre, ascending vertically; inscribed in pencil ‘CCLXIII | 238’ bottom right; stamped in black with Turner Bequest monogram over ‘CCLXIII – 238’ bottom right.
Matthew Imms
August 2016
How to cite
Matthew Imms, ‘Trees, with Distant Towers beyond Water, Perhaps Edinburgh across the Water of Leith c.1820–40 by Joseph Mallord William Turner’, catalogue entry, August 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2017, https://www
