Joseph Mallord William Turner The West End of the Sanctuary of the Madonna di San Luca, Bologna, with the Apennines Beyond; an Arch; a Bridge with a Distant Town or City 1819
Joseph Mallord William Turner 1775–1851
Folio 34 Verso:
The West End of the Sanctuary of the Madonna di San Luca, Bologna, with the Apennines Beyond; an Arch; a Bridge with a Distant Town or City 1819
D14549
Turner Bequest CLXXVI 30a
Turner Bequest CLXXVI 30a
Pencil on white wove paper, 184 x 111 mm
Partial watermark ‘Allnutt | 18’
Inscribed by Turner in pencil ‘R[...]’ top centre
Partial watermark ‘Allnutt | 18’
Inscribed by Turner in pencil ‘R[...]’ top centre
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.517, CLXXVI 30a, as ‘Distant hills from steps of a buildings, &c.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.92, 406, as ‘The Arcades Leading from the Madonna di S. Luca to Bologna’, p.466 note 110.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.25, 202 note 46.
2008
James Hamilton, ‘Turner e l’Italia’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.43, 90 note 22, as a Bologna subject.
2009
James Hamilton, ‘Turner’s Route to Rome’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150 note 22, as a Bologna subject.
The Turner scholar C.F. Bell annotated Finberg’s 1909 Inventory entry (‘Distant hills from steps of a buildings, &c.’), crossing out the last three words and adding: ‘Church of the Madonna di San Luca’.1 Made with the page turned vertically, this is a view from just below the curving Baroque west front of the Sanctuary of the Madonna di San Luca, looking south across the curving terrace forecourt to the southern of a pair of short curving arcades which terminate in open pavilions on a hexagonal plan. Beyond, in somewhat compressed form, lie the Apennine Mountains, parallel with the route Turner took as recorded in this sketchbook between Bologna and Ancona. There is a panoramic view of them on folio 35 verso (D14551; Turner Bequest CLXXVI 31a).
For Cecilia Powell’s general comments on Turner’s views of Bologna around the Madonna di San Luca (folios 32 verso–39 recto; D14545–D14558; Turner Bequest CLXXVI 28a–35), see under D14545.2 For more on the church, see under folio 42 recto (D14564; CLXXVI 38),3 and on the city generally and numerous views on adjacent pages, under folio 24 recto (D14532).
Above and to the right relative to the main view, separated by pencil lines, is a slight view of an arch, possibly that of the bridge in a still smaller sketch at the top right, with a town or city beyond. The word beside it, probably identifying it, is effectively illegible apart from its initial ‘R’.
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘The West End of the Sanctuary of the Madonna di San Luca, Bologna, with the Apennines Beyond; an Arch; a Bridge with a Distant Town or City 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www