Joseph Mallord William Turner Part of the South Porch of the Walhalla, at Donaustauf near Regensburg; Studies of Women and their Costumes, One in a Landscape at Hals 1840
Joseph Mallord William Turner 1775–1851
Folio 70 Verso:
Part of the South Porch of the Walhalla, at Donaustauf near Regensburg; Studies of Women and their Costumes, One in a Landscape at Hals 1840
D31415
Turner Bequest CCCX 70a
Turner Bequest CCCX 70a
Pencil on cream wove paper, 126 x 198 mm
Inscribed by Turner in pencil ‘35’ below right of centre, ‘[...] Blue’ bottom left, ascending vertically, over figures, and ‘Red’ and ‘Haltz’ towards top left, ascending vertically, beside figure
Inscribed by Turner in pencil ‘35’ below right of centre, ‘[...] Blue’ bottom left, ascending vertically, over figures, and ‘Red’ and ‘Haltz’ towards top left, ascending vertically, beside figure
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.999, CCCX 70a, as ‘Various figures of peasants, &c.’.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.70, 82 note 53, p.244, as ‘(1) Part of the Entablature of the Walhalla | Inscr. 35 | (2) Several studies of female figures, illegibly inscr.’.
This page was used both horizontally and vertically for two distinct subjects. The right-hand half includes architectural studies relating to the Walhalla monument, then nearing completion at Donaustauf, near Regensburg, as recognised by Cecilia Powell.1 The left-hand end of its pedimented Greek temple-style Doric south portico is shown in elevation, with only the top of the outermost of eight (octastyle) outer columns. Around it there are slight details including a partial plan of the columns’ arrangement. The grid of six squares likely relates to the panels of deep coffering between them in the open porch’s ceiling. There is a hasty drawing of the overall elevation on the recto (D31414), and more extensive plans on the inside of the back cover opposite (D41401). For numerous contemporary views of the Walhalla and nearby Donaustauf in this sketchbook and elsewhere, see under folio 33 verso (D31341).2
Inverted relative to the book’s foliation, there are small full-length studies of women carrying baskets or bundles, showing the local German costumes. The one in ‘Red’ at the corner is shown walking in a valley setting labelled ‘Haltz’, indicating Hals, near Passau. The village and its dramatically sited castle ruins are shown on numerous adjacent pages, as noted under folio 58 verso (D31391), and folio 59 recto (D31392) is inscribed in a similar way.
The other figures, shown in isolation, were not necessarily drawn on the same occasion; they include a group of three, apparently caught candidly in conversation. They might have informed the groupings of women in traditional outfits gathered on the riverbank in the foreground of Turner’s large painting of The Opening of the Wallhalla [sic], 1842 (Tate N00533),3 shown at the Royal Academy in 1843. The shoulder of one is briefly continued onto the opposite page, where there are two more full-length studies, again inscribed ‘Haltz’; see also the figures on folios 67 verso, 69 recto, the recto and the inside of the front cover (D31409, D31412, D31414, D41400).
Technical notes:
Losses have been made good along the two shorter edges, corresponding to wear from the ribbon ties formerly anchored inside the back cover opposite (D41401).
Matthew Imms
September 2018
How to cite
Matthew Imms, ‘Part of the South Porch of the Walhalla, at Donaustauf near Regensburg; Studies of Women and their Costumes, One in a Landscape at Hals 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www