Pauline Boty

The Only Blonde in the World

1963

On display at Tate Liverpool

Medium
Oil paint on canvas
Dimensions
Support: 1224 x 1530 x 25 mm
frame: 1236 x 1541 x 28 mm
Collection
Tate
Acquisition
Purchased 1999
Reference
T07496

Display caption

Pop artists were fascinated by Marilyn Monroe as the most famous of movie stars and the epitome of a new sexuality. Most responses to her were made by men, however. Boty was one of the few women artists working in this vein and perhaps that gave her a different view on Marilyn.Is the figure isolated by being squeezed between fields of abstract forms? Is the title ironic? Boty’s work was sometimes concerned with gender and sexuality and so it is ironic, that she was herself frequently discussed in terms of her appearance.

Gallery label, May 2007

Audio

Pauline Boty: The Only Blonde in the World – 2

How was Pauline Boty’s work was rediscovered? John Hughes
Audio

Pauline Boty: The Only Blonde in the World – 1

Parallels between artist and film star. Visitor Assistant John Hughes
Video

This is Britain: Lauren Laverne

This is Britain: The Home of British Art.  Presenter Lauren Laverne picks two works from the BP British Art Displays ...

Video

Work in Focus: Pauline Boty

Michael Bracewell on 'The Only Blonde in the World'

Tate Etc.

Up close and personal

Tate Britain’s recent rehang, which follows a broadly chronological sequence, includes focused individual displays that highlight new research as ...