Nan Goldin describes her photographs as a 'visual diary'. She has stated: 'These are my friends, these are my family, this is myself. There is no separation between me and what I photograph.' The self-portrait Nan one month after being battered was taken to prevent Goldin from forgetting the damage caused by her boyfriend's violence. She applies the same frankness to the lives of her close friends. Goldin is attracted to the glamour of the world of drag-queens and transvestites. In Jimmy Paulette and Taboo! Undressing, NYC 1991, two men are caught in the midst of their gender transformation. Characteristically, this moment of exposure is presented with candour and empathy.