- Peter Lanyon 1918–1964
- Oil paint on canvas
- Support: 1829 x 1524 mm
frame: 1840 x 1535 x 52 mm
- Purchased 1960
Not on display
T00375 THERMAL 1960
Inscr. ‘Lanyon 60’ b.l. and on back ‘Thermal Lanyon 1960’.
Canvas, 72×60 (183×152·5).
Purchased from Gimpel Fils (Grant-in-Aid) 1960.
Exh: Gimpel Fils, October–November 1960 (7, repr. slightly cut at top and bottom).
To a suggestion that a number of the paintings included in the 1960 Gimpel Fils exhibition were partly inspired by the experience of gliding, the artist replied (28 November 1960): ‘The majority of paintings in the show came directly out of experience in fluids or in the air - i.e. water or weather conditions....
‘The experience in “Thermal” does not only refer to glider flight. It belongs to pictures which I have done before, e.g. “Bird-wind”, and which are concerned with birds describing the invisible, their flight across cliff faces and their soaring activity. I have discovered since I began gliding that the activity is more general than I had guessed. The air is a very definite world of activity as complex and demanding as the sea....
‘The thermal itself is a current of hot air rising and eventually condensing into cloud. It is invisible and can only be apprehended by an instrument such as a glider.... The basic source of all soaring flight is the thermal - hot air rising from the ground as a large bubble.
‘The picture refers to cloud formation and to a spiral rising activity which is the way a glider rises in an up-current. There is also a reference to storm conditions and down-currents. These are all things that arise in connection with thermals.’
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, I
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