Joseph Mallord William Turner

Critical Notes by Turner on the Frescoes in the Villa Farnesina, Rome, and a Sketch of a Castle Amidst Mountains; Also Notes by James Hakewill on Rome

1819

View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Artist
Joseph Mallord William Turner 1775–1851
Medium
Pen and ink on paper
Dimensions
Support: 114 x 88 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D13884
Turner Bequest CLXXI 14 a

Catalogue entry

This page contains an inscription by James Hakewill (1778–1843), part of his advice to Turner on travelling in Italy in preparation for the artist’s first tour of the country in 1819 (see the introduction to the sketchbook). The text, which relates to locations in Rome, was first transcribed by Finberg,1 but more correctly so by Thomas Ashby,2 and reads:
Camerere not laquis de place.
usual pay of a camerere, 9 scudi
   pr month.
Vari, in the Strada Babuino } booksellers
Monaldini, in the Piazza di Spagna } &c.
See Camuccini’s pictures and notice a | small crucifixion by Vandyke. –
‘Cameriere’ is the Italian word for waiter, whilst a ‘laquais de place’ was a local servant, often hired by travellers during a stay in a foreign country. In addition to providing Turner with the names of booksellers near the Spanish Steps, an area popular with English tourists, Hakewill also advises that he visits the pictures of Vincenzo Camuccini, (1771–1844), one of the pre-eminent academic painters in Rome at this period. Further lists of places of interest in Rome can also be found on folios 35 and 35 verso (D13924 and D13926).
In addition to Hakewill’s writing, Turner has also used the left-hand side of this page to make extensive critical notes on frescoes in the Villa Farnesina. This sixteenth-century house (now the Accademia Nazionale dei Lincei), stands near the banks of the River Tiber in Rome’s Trastevere district, at the foot of the Janiculum Hill and is famous for its fresco decorations commissioned by Agostino Chigi (1466–1520). The artist’s comments relate to the parts of the villa decorated by Raphael (1483–1520) and his follower, Giulio Romano (circa 1499–1546), particularly the Loggia di Psyche and the Triumph of Galatea. The text was first fully transcribed by Cecilia Powell,3 and the inscription is repeated here with only minor variations:
P. Farnese. the story of Cupid and P. | by Raffaello and Julio Romano the | Spandels of the Graces .. Proserpina Mercury | and Jupiter and ^[?...]^Cupid [cross encircled] M + the | boy carrying a shield [dot encircled] + Galetea changed: | [?painting] of Robe of G – one of the Cupids | exquisite colored. the Juno in the recon | ciliation of the Gods Ex. in Blue. Venus | Purple but changed like the Galetea red with | shadows but not so heavy

Nicola Moorby
March 2010

1
Finberg 1909, p.496.
2
Ashby 1925, p.10.
3
Powell 1984, p.405.
4
Powell 1984, p.152 and Powell 1987, pp.65 and 203 note 4.
5
Butlin, Wilton and Gage 1974, p.92, and Butlin and Joll 1984, p.137 under no.228.

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