Joseph Mallord William Turner

Dunstanburgh Castle from the South

1797–8

View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Medium
Graphite, brush and ink, watercolour and gouache on paper
Dimensions
Support: 263 x 335 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D01113
Turner Bequest XXXVI S

Display caption

Dunstanburgh Castle lies on an exposed stretch of the Northumberland coast, not far from Alnwick. Although Turner seems to have explored the castle only once, it was one of the subjects he depicted most often in his career, its ruins allowing him to meditate on the contrasts between past and present. The two studies shown here acted as preliminary stages for one of the oil paintings Turner submitted to the Royal Academy exhibition in the spring after his tour ('Dunstanborough Castle, N.E. Coast of Northumberland. Sun-Rise after a Squally Night', National Gallery of Victoria, Melbourne).

Gallery label, September 2004

Catalogue entry

This is a study for the oil painting Dunstanborough Castle, N.E. Coast of Northumberland. Sun-Rise after a Squally Night, exhibited at the Royal Academy in 1798 (National Gallery of Victoria, Melbourne).1 Another study made in connection with this work is Tate D00890 (Turner Bequest XXXIII S); see also Tate D01112 and D01114 (Turner Bequest XXXVI R, T).
1
Butlin and Joll 1984, pp.4–5 no.6, pl.4 (colour).
Verso:
Blank

Andrew Wilton
January 2013

Read full Catalogue entry

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