Joseph Mallord William Turner
Les Contamines, Dawn: Looking towards St Gervais and Mont Blanc 1802

Artwork details

Artist
Title
Les Contamines, Dawn: Looking towards St Gervais and Mont Blanc
From St Gothard and Mont Blanc Sketchbook
Turner Bequest LXXV
Date 1802
Medium Graphite, chalk, watercolour and gouache on paper
Dimensions Support: 320 x 475 mm
Collection
Tate
Acquisition Accepted by the nation as part of the Turner Bequest 1856
Reference
D04616
Turner Bequest LXXV 24
View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Catalogue entry

This subject was first identified by John Ruskin, doubtless from the inscription ‘Contamines’ in Turner’s hand on the leaf originally adjoining it in the sketchbook (D04617; Turner Bequest LXXV 25). Turner passed through the village of Les Contamines, in the Val Montjoie, after climbing the Col de Voza and before negotiating the Col du Bonhomme, on his way from Chamonix to Courmayeur. He would have stayed overnight and the dawn light so vividly shown here, breaking over the ridge of Mont Blanc on the right, suggests an early rise before the long day’s trek over the Col du Bonhomme to Courmayeur. One of the groups of three figures sketched here might be Turner himself, his travelling companion Newbey Lowson and their guide.
In his catalogue note for the National Gallery, John Ruskin cited this drawing as evidence of the ‘gloomy cast of thought’ in the subjects from this sketchbook.1
1
Ruskin on Pictures; Cook 1902, p.228.
Verso:
Blank
Inscribed by a later hand in pencil ‘1’

David Blayney Brown
November 2011

About this artwork