Joseph Mallord William Turner

Mont Blanc, from Sallanches

1802

View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Medium
Graphite, watercolour and gouache on paper
Dimensions
Support: 320 x 376 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D04603
Turner Bequest LXXV 11

Catalogue entry

Turner’s label for this drawing reads ‘Le Montagne vis a vis St Martin avec le Arve Savoy’ [sic], reflecting the prominence given to Mont Blanc. The view is actually from Sallanches, and represents what was for many travellers their first clear view of the massif if approaching, as Turner did, from Bonneville and Cluses. With its tiled houses, villagers, flock of sheep and screen of trees, the drawing served as the basis of the watercolour made c.1809, perhaps for Walter Fawkes (private collection).1 Turner drew a similar view on a sheet of sketches around Cluses and Sallanches during his tour with H.A.J. Munro of Novar in 1836 (see the Val d’Aosta sketchbook, Tate D29087, Turner Bequest CCXCIII 28a).
Turner listed ‘Salenche’ twice among subjects commissioned, in hand or ‘done’ at the front of his album of 1802 dawings (see Technical notes to the Grenoble sketchbook, Tate Turner Bequest LXXIV).
1
Wilton 1979, p.342 no.379; sold Sotheby's, London, 14 July 1994, no.130..
Verso:
Laid down

David Blayney Brown
October 2011

Read full Catalogue entry

Explore