Writings
- Huntly Carter, ‘Art’ The New Age, 27 January 1910, pp.307–8.
- Harold Gilman, ‘The Venus of Velasquez’ The Art News, 28 April 1910, p.198.
- Harold Gilman, ‘Composition in Painting’ The Art News, 12 May 1910, p.218.
- Walter Richard Sickert, ‘Idealism’ The Art News, 12 May 1910, p217..
- Walter Richard Sickert, ‘The Spirit of the Hive’ The New Age, 26 May 1910, pp.84–5.
- Walter Richard Sickert, ‘The New English and After’ The New Age, 2 June 1910, pp.109–10.
- Huntly Carter, ‘Art’ The New Age, 9 June 1910, pp.135–6.
- Walter Richard Sickert, ‘Wriggle and Chiffon’ The New Age, 9 June 1910, pp.129–30.
- Walter Richard Sickert, ‘The Study of Drawing’ The New Age, 16 June 1910, pp.156–7.
- Walter Richard Sickert, ‘The Language of Art’ The New Age, 28 July 1910, pp.300–1.
- Walter Richard Sickert, ‘Impressionism’ The New Age, 30 June 1910, pp.204–5.
- Walter Richard Sickert, ‘The naked and the Nude’ The New Age, 21 July 1910, pp.276–7.
- Spencer Gore, ‘Cézanne, Gauguin, Van Gogh &c., at the Grafton Galleries’ The Art News, 15 December 1910, pp.19–20.
- Charles Ginner, ‘Neo-Realism’ The New Age, 1 January 1914, pp.271–2.
- T.E. Hulme, ‘Modern Art – II. A Preface Note and Neo-Realism’ The New Age, 12 February 1914, pp.467–9.
- Walter Richard Sickert, ‘Mesopotamia-Cézanne’ The New Age, 5 March 1914, pp.569–70.
- Walter Richard Sickert, ‘A Stone Ginger’ The New Age, 19 March 1914, pp.631–2.
- Walter Richard Sickert, ‘A Perfect Modern’ The New Age, 9 April 1914, p.718.
- Walter Richard Sickert, ‘Drawing from the Cast’ The New Age, 23 April 1914, pp.781–2.
- Walter Richard Sickert, ‘Mr. Ginner’s Preface’ The New Age, 30 April 1914, pp.819–20.
- Charles Ginner, ‘Letters to the Editor. Mr. Sickert and Mr. Poussin’ The New Age, 7 May 1914, p.23.
- Walter Richard Sickert, ‘Whitechapel’ The New Age, 28 May 1914, p.83.
- Wyndham Lewis, ‘Frederick Spencer Gore’ BLAST, No.1, June 1914, p.150.
- Walter Richard Sickert, ‘The New English Art Club’ New Age, 4 June 1914, pp.114–15.
- Harold Gilman, ‘Letters to the Editor. The Worst Critic in London’ The New Age, 11 June 1914, p.143.
- Charles Ginner, ‘Letters to the Editor. Art and Criticism’ The New Age, 11 June 1914, p.143.
- Walter Richard Sickert, ‘The Thickest Painters in London’ The New Age, 18 June 1914, p.155.
- Harold Gilman, ‘Letters to the Editor. “Sickert and Neo-Realism.”’ The New Age, 25 June 1914, pp.190–1.
- Charles Ginner, ‘Harold Gilman: An Appreciation’ in Memorial Exhibition of Works by the Late Harold Gilman, exhibition catalogue, Ernest Brown & Phillips, The Leicester Galleries, London, October 1919, pp.3–8.
- Wyndham Lewis, ‘Harold Gilman’ Harold Gilman: An Appreciation, Chatto & Windus, London 1919, pp.11–15.
- Louis F. Fergusson, ‘Harold Gilman’ in Wyndham Lewis and Louis F. Fergusson, Harold Gilman: An Appreciation, London: Chatto & Windus 1919, pp.19–32.
- Frank Rutter, Preface: ‘The Camden Town Group: A Fragment of History’ in The Camden Town Group: A Review, exhibition catalogue, Ernest Brown & Phillips, The Leicester Galleries, London, January–February 1930, pp.7–11.
- Walter Bayes, ‘The Camden Town Group’ The Saturday Review, 25 January 1930, pp.100–1.
- Louis F. Fergusson, ‘Souvenir of Camden Town: A Commemorative Exhibition’ The Studio, February 1930, pp.111–9.
- Albert Rutherston, ‘From Orpen and Gore to the Camden Town Group’ The Burlington Magazine, vol.83, no.485, August 1943, pp.201–5.
- Charles Ginner, ‘The Camden Town Group’ The Studio, November 1945, pp.129–36.
How to cite
‘Writings’, in Helena Bonett, Ysanne Holt, Jennifer Mundy (eds.), The Camden Town Group in Context, May 2012, http://www