French term describing a swathe of approaches to abstract painting in the 1940s and 1950s which had in common an improvisatory methodology and highly gestural technique

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  • Alberto Burri, 'Sacking and Red' 1954

    Alberto Burri
    Sacking and Red 1954
    Acrylic and hessian collage on canvas
    support: 864 x 1003 mm frame: 893 x 1030 x 31 mm
    Purchased 1965 Fondazione Palazzo Albizzini Collezione Burri, Citt di Castello (Perugia) / DACS 2011.

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  • Jean Fautrier, 'Head of a Hostage' 1943-4

    Jean Fautrier
    Head of a Hostage 1943-4
    Lead and slate
    object: 540 x 295 x 310 mm, 25.2 kg
    Purchased with assistance from the Friends of the Tate Gallery 1997 ADAGP, Paris and DACS, London 2002

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  • Henri Michaux, 'Untitled Chinese Ink Drawing' 1961

    Henri Michaux
    Untitled Chinese Ink Drawing 1961
    Ink on paper
    support: 746 x 1099 mm frame: 781 x 1130 x 38 mm
    Purchased 1963 ADAGP, Paris and DACS, London 2002

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The term refers to many of the styles of abstract painting which were highly prevalent, even dominant, in the 1940s and 1950s, including tendencies such as tachism, matter painting, and lyrical abstraction. It mainly refers to European art, but does also embrace American abstract expressionism. An important source of this kind of painting was the surrealist doctrine of automatism. The term was used by the French critic Michel Tapié in his 1952 book Un Art Autre to describe types of art which had in common that they were based on highly informal procedures and were often gestural. Tapié saw this art as ‘other’ because it appeared to him as a complete break with tradition.

An exhibition titled Un Art Autre was organised in Paris the same year as Tapié’s book and included Karel Appel, Alberto Burri, Willem de Kooning, Jean Dubuffet, Jean Fautrier, Georges Mathieu, Jean-Paul Riopelle and Wols. Other key figures were Henri Michaux, Hans Hartung and Pierre Soulages. The term art autre, from the title of Tapié’s book, is also used for this art, but art informel seems to have emerged as the preferred name.