Henry Moore: Sculptural Process and Public Identity

ISBN 978-1-84976-391-2

Contributors

Project editors

Christopher Griffin, Collection Research Manager, Tate
Jennifer Mundy, Head of Collection Research, Tate (project leader)

Editorial board

Professor Dawn Ades, Professor Emeritus, University of Essex
Professor Andrew Causey, former Trustee of the Henry Moore Foundation and member of the Advisory Council of the Paul Mellon Centre, London
Professor Martin Hammer, Professor of History and Philosophy of Art, University of Kent
Dr Sarah Turner, Assistant Director for Research, Paul Mellon Centre for Studies in British Art, London
Dr Jon Wood, Henry Moore Foundation Research Curator

Catalogue entries

Alice Correia, Henry Moore Foundation Research Fellow, Tate
Lyndsey Morgan, Sculpture Conservator
Rozemarijn van der Molen, Sculpture Conservator, Tate
Anne Wagner, Henry Moore Foundation Research Curator, Tate

Essay authors

Dawn Ades, Professor Emeritus, University of Essex
Sebastiano Barassi, Senior Curator, Henry Moore Foundation
Judith Collins, former curator at Tate
James Copper, Sculpture Conservator, Henry Moore Foundation
Ann Compton, Honorary Research Fellow, University of Glasgow
Alice Correia, Henry Moore Foundation Research Fellow, Tate
Ben Cranfield, lecturer and course director, Humanities and Cultural Studies, Birkbeck, University of London
Anita Feldman, Deputy Director for Curatorial Affairs, San Diego Museum of Art
Martin Hammer, Professor of History and Philosophy of Art, University of Kent
Ann Harezlak, Deputy Director and Curator at Sonce Alexander Gallery, Los Angeles
Edward Juler, Wellcome Trust Postdoctoral Research Fellow, University of Edinburgh
Julia Kelly, Research Associate, School of the Arts, Loughborough University
Courtney J. Martin, Assistant Professor, History of Art and Architecture, Brown University, Providence, Rhode Island
Tim Martin, Reader in Cultural Theory, De Montfort University
Lyndsey Morgan, Sculpture Conservator
Rozemarijn van der Molen, Sculpture Conservator, Tate
Tom Overton, researcher
Dawn Pereira, artist, teacher and writer, former Henry Moore Institute Research Fellow
Jennifer Powell, Senior Curator Collection and Programme at Kettles Yard, University of Cambridge
Richard Read, Winthrop Professor in Art History, University of Western Australia
Pauline Rose, Professor of Art History, Arts University Bournemouth
Chris Stephens, Lead Curator Modern British Art and Head of Displays, Tate
Andrew Stephenson, Research Leader, School of Arts and Digital Industries, University of East London
Marin R. Sullivan, Henry Moore Foundation Post-Doctoral Research Fellow, University of Leeds
Alex J. Taylor, Terra Foundation Research Fellow in American Art, Tate
Sarah Victoria Turner, Assistant Director for Research, Paul Mellon Centre for Studies in British Art, London
Rebecca Wade, Post-Doctoral Research Fellow, Henry Moore Institute, Leeds
Rachel Wells, Lecturer in Art History and Theory, Newcastle University
John Wyver, Senior Research Fellow at the University of Westminster
Resources
Alice Correia, Henry Moore Foundation Research Fellow, Tate
Publication team
Alex Cary, Digital Editor (Research), Tate
Alex Pilcher, Front End Developer, Tate
With support from
Ana Escobar, Photographer, Tate
Mark Heathcote, Photographer, Tate
Bernard Horrocks, Intellectual Property Manager, Tate
Jane Kennedy, Gallery Records Manager, Tate
John Langdon, Archive Curator, Tate
Marcella Leith, Head of Photography, Tate
Project assistants
Mark Byers
Mia Curran
Stacey Evans
Ann Harezlak
Deborah Lennard
Maud Whatley

How to cite

‘Contributors’, in Henry Moore: Sculptural Process and Public Identity, Tate Research Publication, 2015, https://www.tate.org.uk/art/research-publications/henry-moore/contributors-r1176301, accessed 27 September 2020.