Contents (Henry Moore: Sculptural Process and Public Identity) | Tate

Contents

Project overview

Henry Moore: The Sculptor as Public Figure
Jennifer Mundy

Acknowledgements

Artworks

Catalogue entries by Alice Correia and Anne Wagner, with technique and condition texts by Lyndsey Morgan and Rozemarijn van der Molen

Essays

Dawn Ades, Henry Moore and World Sculpture

Sebastiano Barassi and James Copper, Henry Moore and Stone: Methods and Materials

Judith Collins, Henry Moore and Concrete: Cast, Carved, Coloured and Reinforced

Ann Compton, ‘An essentially different kind of rhythm’: Rediscovering Henry Moore’s Sculpture in Wood

Alice Correia, Biography

Alice Correia, Critical Voices: Artists’ Responses to Moore’s Gift to Tate in 1967

Alice Correia, Henry Moore and Tate: A Timeline

Ben Cranfield, ‘A stimulation to greater effort of living’: The Importance of Henry Moore’s ‘credible compromise’ to Herbert Read’s Aesthetics and Politics

Anita Feldman, Henry Moore: The Plasters

Martin Hammer, Ambivalence and Ambiguity: David Sylvester on Henry Moore

Ann Harezlak, Henry Moore in the Gemma Levine Archive

Edward Juler, Life Forms: Henry Moore, Morphology and Biologism in the Interwar Years

Julia Kelly, At the Heart of the Establishment: Henry Moore as Trustee

Courtney J. Martin, ‘A sincere academic modern’: Clement Greenberg on Henry Moore

Tim Martin, Erich Neumann on Henry Moore: Public Sculpture and the Collective Unconscious

Lyndsey Morgan and Rozemarijn van der Molen, Henry Moore's Approach to Bronze

Tom Overton, 'I tried to push him down the stairs': John Berger and Henry Moore in Parallel

Dawn Pereira, Henry Moore and the Welfare State

Jennifer Powell, Henry Moore and ‘Sculpture in the Open Air’: Exhibitions in London’s Parks

Richard Read, Circling Each Other: Henry Moore and Adrian Stokes

Pauline Rose, Launching Moore’s International Career: Henry Moore at the Museum of Modern Art, New York 1946

Pauline Rose, Henry Moore’s American Patrons and Public Commissions

Chris Stephens, ‘Worthy of the great tradition’: Kenneth Clark on Henry Moore

Andrew Stephenson, Fashioning a Post-War Reputation: Henry Moore as a Civic Sculptor c.1943–58

Marin R. Sullivan, Henry Moore’s Photographic Identity

Alex J. Taylor, Henry Moore and the Values of Business

Sarah Victoria Turner, Henry Moore and Direct Carving: Technique, Concept, Context

Rebecca Wade, Learning from Moore between the Wars: Henry Moore as a Teacher at the Royal College of Art and Chelsea School of Art 1924–39

Rachel Wells, Scale at Any Size: Henry Moore and Scaling Up

John Wyver, Myriad Mediations: Henry Moore and his Works on Screen 1937–83

Resources

Moore’s writings

Reviews and articles

How to cite

‘Contents’, in Henry Moore: Sculptural Process and Public Identity, Tate Research Publication, 2015, https://www.tate.org.uk/art/research-publications/henry-moore/contents-r1176299, accessed 20 April 2024.