E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.332, pp.379 note 2, 624, as ‘Foreground in Rome’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.563, as ‘Foreground in Rome. Water colour. 332, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.88.
Thomas Ashby, Turner’s Visions of Rome, London and New York 1925, p.26, reproduced between pp.18–19 pl.15, as ‘Foreground in Rome’.
J. Isaacs, J.W.M. [sic] Turner 1775–1851: Watercolours: On Loan to the National Gallery of Victoria on the Occasion of its Centenary from the Turner Bequest by Courtesy of the Trustees and Director of the British Museum, London, with the Assistance of the British Council, exhibition catalogue, National Gallery of Victoria, Melbourne 1961, no.10, reproduced [p.11], as ‘Rome: The Farnese Gardens and Basilica of Constantine’.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, reproduced in colour, p.188 top, as ‘Rome’.
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, p.18.
Gerald Wilkinson, Turner Sketches 1789–1820, London 1977, p.156 reproduced in colour, as ‘Rome.’.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.50, reproduced p.28 colour pl.6, as ‘View from the Palatine’.
David Blayney Brown, Turner and Byron, exhibition catalogue, Tate Gallery, London 1992, p.128 no.101 reproduced, as ‘Ruins in Rome: View from the Palatine’.
Michael Liversidge and Catherine Edwards, Imagining Rome: British Artists and Rome in the Nineteenth Century, exhibition catalogue, City Museum and Art Gallery, Bristol 1996, pp.75–6 no.4, reproduced, as ‘Rome. View from the Palatine’.
Ian Warrell, Blandine Chavanne and Michael Kitson, Turner et le Lorrain, exhibition catalogue, Musée des beaux-arts, Nancy 2002, pp.102–3, 192, no.47 reproduced in colour, as ‘Ruines à Rome: vue du Palatin / Ruins in Rome: view from the Palatine’.
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, no.47, pp.49, , 187, reproduced in colour, as ‘Rovine di Roma. Veduta dal Palatino’.
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, p.49, reproduced in colour pl.54 p., as ‘Ruins in Rome: View from the Palatine’.
Christopher Baker and James Hamilton, Turner és Itália, exhibition catalogue, Szépmuvészeti Múzeum, Budapest 2009, p.54, reproduced in colour, p., fig.50.