In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Watercolour and graphite on paper
- Dimensions
- Support: 234 x 369 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D16356
Turner Bequest CLXXXIX 30
Display caption
Turner's views of Rome, especially those from his first visit in 1819, seem impregnated with the Byronic spirit. Both painter and poet shared the Romantic preoccupation with departed grandeur. Rome, 'my country! city of the soul! ... Lone mother of dead empires!' was the supreme example of the ironies of history. Individual sufferings paled beside the sublime tragedy proclaimed by the city's ruins but natural beauty, represented for both Turner and Byron by moonlight on the Colosseum, transfigured everything, 'leaving that beautiful which still was so,/ And making that which was not, till the place/ Became religion, and the heart ran o'er/ With silent worship of the great of old'.
Gallery label, August 2004
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Joseph Mallord William Turner The Colosseum and the Basilica of Constantine from the Palatine Hill, Rome
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Joseph Mallord William Turner Ruins on the Palatine Hill, Rome
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Joseph Mallord William Turner The Arch of Titus and the Basilica of Constantine, Rome
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Joseph Mallord William Turner Ruins on the Palatine Hill, Rome
1819 -
Joseph Mallord William Turner View of the Colosseum and the Basilica of Constantine from the Palatine Hill, Rome
1819