Kadish Morris surveys the four artists shortlisted for this year’s Turner Prize held in Bradford, 2025 UK City of Culture Photographs by Sam Hutchinson

Appreciating the importance of the Anmatyerr language to Emily Kam Kngwarray is fundamental to understanding her worldview and the astonishing power of her art, explains Jennifer Green, a linguist who knew the artist for many years

Ahead of a landmark exhibition exploring the intertwined lives and legacies of JMW Turner and John Constable, painters Frank Bowling and Maggi Hambling sing their respective praises

As Máret Ánne Sara prepares to unveil her Hyundai Commission in the Turbine Hall, she sits down with curator Liv Brissach to discuss shared Indigenous knowledge, giving in to the pull of materials and making art using the scent of fear. Photographs by Linda Brownlee

So said Lee Miller, who would become one of the most groundbreaking artists of the 20th century. Her art, much like her life, defied all convention, writes Lucy Scholes

Emily Kam Kngwarray created thousands of works of art that drew from the vast cultural reservoir of knowledge that she channelled as the Anmatyerr matriarch of Alhalker Country in Central Australia. Ahead of a major exhibition at Tate Modern, curators Kelli Cole and Hetti Perkins explore the life and legacy of one of the most significant painters to emerge in the late 20th century

Do Ho Suh’s monumental fabric architectures, life-sized works on paper and complex drawings made with multicoloured thread powerfully explore ideas of belonging and connection. Ahead of Suh’s major survey show at Tate Modern, artist Janice Kerbel speaks to him about memory, collaboration and his ongoing quest for the perfect home

A pair of binoculars and a Meccano set offered the Palestinian-British artist escape from a strict upbringing, and inspired her subsequent art

Edward Burra’s watercolours are like ‘religious icons that aid our appreciation of the fullness of existence’, rhapsodies Caroline Coon in tribute to the Sussex-raised painter who travelled internationally for his art. Coon is joined by five other contemporary artists equally enthralled by Burra’s beguiling compositions – a sign of his enduring relevance

For artist Haroun Hayward, Peter Saville’s iconic record sleeve designs echo his artistic impulse to visualise the invisible

Sepehr and Kasra V, the duo behind the music project Flower Storm, see themselves reflected in Monir Shahroudy Farmanfarmaian’s mixed-media artwork

Bridget Riley’s paintings pulse with motion, quietly drawing the viewer towards the splendours of pure sight

Monster Chetwynd (with a little help from her trusty ‘troupe’) steps up as our new agony artist, answering the questions that are keeping Tate Etc. readers awake at night

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