William White, Notes on a Biographical Series of Fifty Drawings and Sketches by J.M.W. Turner, R.A., Belonging to the National Gallery Collection, London 1896, pp.29–30 no.36, as ‘The Burning of the Houses of Parliament’ 1834.
A Catalogue of an Exhibition of Studies & Drawings ... by Frederic Shields ...Drawings and Sketches by J.M.W. Turner, exhibition catalogue, Municipal School of Art, Manchester 1906, p.11 no.34; as c.1834.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1207, as ‘Burning of the Houses of Parliament’.
Catalogue of Original Drawings in Water Colour, Etc., by J.M.W. Turner, R.A., Lent by the Trustees of the National Gallery, exhibition catalogue, Laing Art Gallery and Museum, Newcastle upon Tyne 1912, p.10 no.27, as 1834.
Douglas Cooper, William Turner 1775–1851, Paris 1949, pl.53 (as ‘L’Incendie du Parlement de Londres’ 1834).
Martin Butlin, Turner Watercolours, London 1962, p.50.
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington DC 1963, pp.11, 20–1 no.54, reproduced p. as The Burning of the Houses of Parliament 1834.
Lawrence Gowing, Turner: Imagination and Reality, exhibition catalogue, Museum of Modern Art, New York 1966, p.33, reproduced, p.62 no.71, as 1834.
Jack Lindsay, J.M.W. Turner: His Life and Work: A Critical Biography, London 1966, p.179.
E[dward] C[roft]-M[urray], G. de Sieveking, John Picton and others, The Art of Drawing, exhibition catalogue, British Museum, London 1972, p.71 no.336.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, pp.126, 129 no.456, as 1834.
Werner Hofmann, Andrew Wilton, Siegmar Hosten and others, William Turner und die Landschaft seiner Zeit, exhibition catalogue, Hamburger Kunsthalle 1976, p.163 no.125, as ‘Der Brand des Parlemants’, 1834, reproduced, and in colour (Farbtafel XIV).
David Loshak and Andrew Wilton, J.M.W. Turner 1775–1851: Akvareller og Tegninger fra British Museum, exhibition catalogue, Statens Museum for Kunst, Copenhagen 1976, p.66 no.71, as 1834, reproduced p.68.
Nobuyuki Senzoku, Turner, L’Art du Monde, Japan [and Paris?] 1977, p.106, reproduced, pl.22 (colour), as 1834.
M. Yamazaki and S. Kijima, Turner, The Book of Great Masters, Japan 1977, pl.26 (colour; as 1834).
Andrew Wilton, Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, exhibition catalogue, Cleveland Museum of Art 1977, p.66 under no.47.
John Sillevis, Nini Jonker and Hripsimé Visser, Turner 1775–1851, exhibition catalogue, Haags Gemeentemuseum, The Hague 1978, p.115 no.88, reproduced, and in colour, p.93.
John Gage, Exposicion del gran pintor ingles, William Turner: Oleos y acuarelas: Collecciones de la Tate Gallery, British Museum y otros museos ingleses, exhibition catalogue, Museo de Arte Moderno, Mexico City 1979, p.62 (no.BM86, as ‘Incendio de los edificios del Parlamento’ 1834), reproduced, p.56.
John Gage and Ana T. de Gradowska, Oleos y acuarelas de Joseph Mallord William Turner, exhibition catalogue, Museo de Bellas Artes, Caracas, Venezuela 1979, p.25 no.BM 86, as ‘Incendio de las casas del parlamento’ 1834 reproduced in colour, p. (reversed).
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.359 no.522, reproduced, as 1834.
Guy Weelan, J.M.W. Turner, trans. I. Mark Paris, New York 1982, p.96, pl.105.
John Gage, in Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.125 under no.60.
Andrew Wilton, in ibid., pp.279–80 no.225, as ‘L’incendie du Parlement’, reproduced, as 1834 or later.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.209 under no.359.
Craig Hartley, Turner Watercolours in the Whitworth Art Gallery, exhibition catalogue, Whitworth Art Gallery, Manchester 1984, p.55 under nos.46 and 47.
Katherine Solender, Dreadful Fire! Burning of the Houses of Parliament, exhibition catalogue, Cleveland Museum of Art, Ohio 1984, reproduced in colour, pp.40 and 41, pp.42, 43, reproduced p., pp.–4, p.77 no.10, as 1834.
Andrew Wilton, ‘Exhibition Reviews: Dreadful Fire! Burning of the Houses of Parliament’, Turner Studies, vol.5, no.1, Summer 1985, p.53.
Richard Dorment, British Painting in the Philadelphia Museum: From the Seventeenth through the Nineteenth Century, Philadelphia 1986, pp.401, 405 no.3, fig.III.13; as 1834.
John Gage, J.M.W. Turner: ‘A Wonderful Range of Mind’, New Haven and London 1987, p.233, fig.318 (colour).
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, pl.58 and front of dust jacket (colour); as 1834.
William Hardy, Turner, The History and Techniques of the Great Masters, London 1988, pp.42–5, reproduced in colour p.43, pp.44 figs.1 and 2, 45 fig.3 (colour details).
Ann Chumbley and Ian Warrell, Turner and the Human Figure: Studies of Contemporary Life, exhibition catalogue, Tate Gallery, London 1989, p.36 under no.22, p.37 no.24, as 1834, reproduced.
David Blayney Brown, The Art of J.M.W. Turner, London 1990, reproduced in colour, p.137, as 1834.
Eric Shanes, Turner’s England 1810–38, London 1990, p.244 no.209, reproduced in colour. (as c.1834).
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, p.16, reproduced in colour p.37, p.72 under nos. 50 and 51, pp.72–3 no.52, as 1834, reproduced.
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, p.302.
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, p.186.
Judy Egerton, Martin Wyld and Ashok Roy, Making & Meaning: Turner: The Fighting Temeraire, exhibition catalogue, National Gallery, London 1995, pp.78–9, 134 no.6, as 1834, pl.52 (colour).
Evelyn Joll, in Michael Lloyd, Andrew Wilton, Joll and others, Turner, exhibition catalogue, National Gallery of Australia, Canberra 1996, reproduced in colour, p.94, as 1834, p.95.
Anthony Bailey, Standing in the Sun: A Life of J.M.W. Turner, London 1997, p.334.
Charles Nugent, in Nugent and Melva Croal, Turner Watercolors from Manchester, exhibition catalogue, Memphis Brooks Museum of Art, Memphis 1997, p.102 under no.67.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.26, 32 notes 25 and 27, 97, Appendix I under ‘England and Wales Series’ (as ‘Finished watercolour: The Burning of the Houses of Parliament, 1835’, and under ‘Finished Watercolours’, as ‘The Burning of the Houses of Parliament ... made for the Picturesque Views in England and Wales series around 1835 but never engraved’).
Peter Bower, Turner’s Later Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1820–1851, exhibition catalogue, Tate Gallery, London 1999, p.57 no.28, reproduced (with ‘micrograph’ detail, 28A) as 1834.
Sam Smiles, J.M.W. Turner, British Artists, London 2000, fig.33 (colour).
Katherine Solender, ‘Parliament, Burning of the Houses of’ in Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.217.
David Blayney Brown, Turner in the Tate Collection, London 2002, p.145, pl.99 (colour, as 1834).
James Hamilton, Turner’s Britain, exhibition catalogue, Gas Hall, Birmingham Museums & Art Gallery 2003, pp.172, 174, 200 note 26.
Olivier Meslay, Turner: L’Incendie de la peinture, Découvertes Gallimard Arts, [Paris] 2004, p.94, reproduced in colour.
Eric Shanes, Turner: The Life and Masterworks, New York 2004, p.154.
Eric Shanes, ‘“Turner’s Britain”’, Turner Society News, no.96, March 2004, p.9.
Turner at Tate Britain, London , reproduced in colour p.15, as 1834–5.
Christopher Wynne, J.M.W. Turner, Lifelines, Munich, London and New York 2004, p.47, reproduced in colour.
Olivier Meslay, Turner: L’Incendie de la peinture, Découvertes Gallimard Arts, [Paris] 2004, J.M.W. Turner: The Man Who Set Painting on Fire, trans. Ruth Sharman, London 2005, reproduced in colour on front cover (detail), p.94.
Andrew Wilton, Turner in his Time, revised ed., London 2006, p.161, reproduced in colour.
Sarah Taft, in Ian Warrell (ed.), Franklin Kelly and others, J.M.W. Turner, exhibition catalogue, National Gallery of Art, Washington 2007, pp.179, 181 no.128 (as ‘The Burning of the Houses of Parliament, from Old Palace Yard, with Westminster Abbey’. c.1834, reproduced in colour), p.180.
Michael O’Neill, ‘The Inmost Spirit of Light: Shelley and Turner: The 2008 Kurt Pantzer Memorial Lecture, Part I’, Turner Society News, no.109, August 2008, p.7.
Mike Chaplin, ‘How to Paint The Burning of the Houses of Parliament’, in Nicola Moorby and Ian Warrell (eds.), How to Paint like Turner, London 2010, p.74, reproduced in colour.