Joseph Mallord William Turner

The catastrophic fire which destroyed much of the Palace of Westminster in central London, including the Houses of Lords and Commons, broke out on the evening of 16 October 1834. Apart from the medieval Westminster Hall, which was saved from the fire, most of the rest of the site on the west bank of the River Thames was eventually cleared for the construction of the iconic Victorian Houses of Parliament complex by Barry and Pugin which still functions as the seat of British government.1

Turner is recorded as having been an eye-witness among thousands,2 though the extent of his recording the event directly has long been open to question. Certainly, of the two scenarios offered by Victorian curator William White – that the present work was ‘evidently executed either on the spot entirely during the fire, or else worked out immediately after’3 – the first can safely be dismissed. Whether the composition ‘proves’4 that the artist had been at this viewpoint on the night is debatable; see the discussion of related pencil sketches and prints by other artists below. In 1835, Turner exhibited two major oil paintings of the event as seen from the Thames: The Burning of the House of Lords and Commons, 16th October, 1834, at the British Institution (Philadelphia Museum of Art),5 and The Burning of the Houses of Lords and Commons, October 16, 1834, at the Royal Academy (Cleveland Museum of Art, Ohio).6 A watercolour vignette of a view through an arch of Westminster Bridge (Museum of Outdoor Arts, Englewood, Colorado),7 was engraved for The Keepsake in 1836.

The view in the present work is north over Old Palace Yard from the Abingdon Street end, with St Margaret Street beyond. On the left is the Perpendicular Gothic Henry VII Chapel at the east end of Westminster Abbey; the buildings on the near side do not survive. To the east across the street, the central third of the composition depicts the south elevation of the range housing committee rooms adjoining the south and west sides of Westminster Hall, the prominent gable and pinnacles of which are shown above.8 The façade was in an Italian palazzo style with a rusticated ground floor, regular windows, a cornice and balustrade, as shown in an 1834 coloured print by John Shury of the House of Commons [and] House of Lords before the fire (Parliamentary Art Collection, London). Turner shows the fire burning within, although the shell at least survived. The whole cluster around the great medieval hall was subsequently demolished, the area to its west now being occupied by a lawn with a statue of Oliver Cromwell.