A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.648, CCXIII 15a, as ‘Mortlake Terrace; three sketches. See Oil painting, exhibited R.A. 1827’.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, pp.102 under no.301, 103 under no.310.
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, reproduced p.31.
Evelyn Joll, in John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.101 under no.36, as ‘CCXII’ 15v.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.145 under no.235, p.148 under no.239.
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.48 no.42, as ‘Study for “Mortlake Terrace, the Seat of William Moffatt, Esq., Summer’s Evening”’ 1825, reproduced, p.49.
John Hayes, British Paintings of the Sixteenth through Nineteenth Centuries, The Collections of the National Gallery of Art Systematic Catalogues, Washington 1992, p.270 fig.2, p.272 note 7.
Susan Grace Galassi, Mortlake Terrace: Turner’s Companion Pieces Reunited, exhibition catalogue, Frick Collection, New York 1996, p., fig.2, as 1825.
Ian Warrell, Turner’s Sketchbooks, London 2014, p.137 reproduced in colour, as ‘The Thames from The Limes, Mortlake Terrace, the Seat of William Moffatt, Esq., Looking Upriver’.